28.02.2026 18:23<\/p>\n\n\n\n
Bug\u00fcn Ya\u015far Kemal\u2019in \u00f6l\u00fcm y\u0131ld\u00f6n\u00fcm\u00fc. Ya\u015far Kemal’in romanlar\u0131nda, hikayelerinde, r\u00f6portajlar\u0131nda halk k\u00fclt\u00fcr\u00fcn\u00fcn, destanlar\u0131n\u0131n, a\u011f\u0131tlar\u0131n\u0131n izlerine her an rastlayabilirsiniz. Onun roman kahramanlar\u0131; bir destandan, bir a\u011f\u0131ttan \u00e7\u0131km\u0131\u015f gibidir.<\/p>\n\n\n\n
\u201cGen\u00e7li\u011fimin sekiz dokuz y\u0131l\u0131 folklor derlemeleriyle ge\u00e7ti. Derleme kolay bir i\u015f de\u011fildi. Daktilom yoktu o zamanlar, bu y\u00fczden el yaz\u0131lar\u0131m\u0131 temize \u00e7ekemiyordum. Salt sar\u0131 defterleri bir sand\u0131kta \u00fcst \u00fcste y\u0131\u011f\u0131yordum.\u201d<\/p>\n\n\n\n
Edebiyat\u0131m\u0131za romanlar\u0131yla damga vuran Ya\u015far Kemal, \u00e7ocukluk ve gen\u00e7li\u011finin ilk y\u0131llar\u0131n\u0131 halk derlemeleriyle ge\u00e7irir. Edebiyata hen\u00fcz 8-9 ya\u015flar\u0131nda destanlar, t\u00fcrk\u00fcler ve a\u011f\u0131tlarla merhaba der. K\u00fc\u00e7\u00fck ya\u015fta halk anlat\u0131lar\u0131na duydu\u011fu ilginin en b\u00fcy\u00fck nedeni, evde Evdale Zeynike, Karacao\u011flan ve Dadalo\u011flu\u2019nun seslerinin y\u00fckselmesiydi. Evleri, dengbejlerin ve halk ozanlar\u0131n\u0131n u\u011frak yeriydi.<\/p>\n\n\n\n
Ya\u015far Kemal, k\u00f6ylerine gelen halk ozanlar\u0131n\u0131 dikkatle dinler, hatta kimi zaman onlarla at\u0131\u015fmaya kalk\u0131\u015f\u0131rd\u0131. Bu yetene\u011fi, k\u00f6ye gelen A\u015f\u0131k Ali ve A\u015f\u0131k Rahmi\u2019nin dikkatini \u00e7eker ve hen\u00fcz 8-9 ya\u015flar\u0131ndayken Ya\u015far Kemal\u2019i gelece\u011fin Karacao\u011flan\u2019\u0131 olarak g\u00f6r\u00fcrler. Kadirli\u2019nin Hemite k\u00f6y\u00fc ve \u00e7evresinde onun ad\u0131 \u201cA\u015f\u0131k Kemal\u201d olarak an\u0131l\u0131r.<\/p>\n\n\n\n
Ya\u015far Kemal, yakt\u0131\u011f\u0131 a\u011f\u0131tlar\u0131 ve s\u00f6yledi\u011fi t\u00fcrk\u00fcleri unuttu\u011funu fark edince bu eksikli\u011fi gidermek i\u00e7in kendi k\u00f6y\u00fcne bir saat uzakl\u0131ktaki Burhanl\u0131 k\u00f6y\u00fcne gider ve \u00fc\u00e7 ay i\u00e7inde okuma yazmay\u0131 \u00f6\u011frenir.<\/p>\n\n\n\n
Derleme D\u00f6nemi ve \u201cT\u00fcrk\u00fclerin M\u00fcfetti\u015fi\u201d Ya\u015far Kemal<\/strong><\/p>\n\n\n\n Ya\u015far Kemal, 1939-1951 y\u0131llar\u0131 aras\u0131nda t\u00fcrk\u00fc s\u00f6yleyip a\u011f\u0131t yakmaktan derleme d\u00f6nemine ge\u00e7ti. Toroslar\u2019da da\u011f ta\u015f demeden gezip gitti\u011fi her k\u00f6yde, K\u00f6ro\u011flu\u2019ndan hik\u00e2yeler anlatarak halk\u0131n ilgisini \u00e7eker; ard\u0131ndan k\u00f6ylere d\u00f6nerek \u201cHadi, \u015fimdi s\u0131ra sizde\u201d diyerek a\u011f\u0131tlar, t\u00fcrk\u00fcler ve destanlar toplar. Bu derlemeler ilk olarak Abidin ve Arif Dino karde\u015flerin dikkatini \u00e7ekti. Abidin Dino, bu gencecik \u00e7ocuk i\u00e7in Milliyet gazetesinde \u015funlar\u0131 yazar:<\/p>\n\n\n\n \u201cG\u00f6z\u00fcm\u00fcn \u00f6n\u00fcnde bir deri bir kemik k\u00f6yl\u00fc delikanl\u0131n\u0131n biri \u00e7\u0131kacak. Ad\u0131 Kemal Sad\u0131k G\u00f6\u011fceli. Hemite k\u00f6y\u00fcnden gelmedir. Da\u011f bay\u0131r dinlemez, k\u00f6y\u00fcnden, da\u011f k\u00f6ylerinden, obalardan, ovalardan, kasabalardan iki de bir kopup gelir Adana\u2019ya, \u00e7\u00f6ker \u00f6n\u00fcm\u00fcze; a\u011f\u0131tlar, t\u00fcrk\u00fcler, destanlar serer buru\u015fuk sar\u0131 ka\u011f\u0131tlar \u00fcst\u00fcne yaz\u0131lm\u0131\u015f.\u201d<\/p>\n<\/blockquote>\n\n\n\n Abidin Dino, Ya\u015far Kemal\u2019in bitip t\u00fckenmeyen \u00e7abas\u0131 i\u00e7in ona \u201cT\u00fcrk\u00fclerin M\u00fcfetti\u015fi\u201d ad\u0131n\u0131 takt\u0131.<\/p>\n\n\n\n 1943\u2019te Halkevlerinin katk\u0131s\u0131yla Ya\u015far Kemal\u2019in derlemeleri \u201cA\u011f\u0131tlar I\u201d ad\u0131yla yay\u0131mland\u0131. Ancak halkla yak\u0131n ili\u015fkiler kurmas\u0131, y\u00f6netimler taraf\u0131ndan tepkiyle kar\u015f\u0131lanmas\u0131na neden oldu; evine bask\u0131n yap\u0131ld\u0131 ve derlemelerin yer ald\u0131\u011f\u0131 sar\u0131 defterler yak\u0131ld\u0131. Ya\u015far Kemal bu durumu \u015f\u00f6yle anlat\u0131r:<\/p>\n\n\n\n \u201cHer seferinde bu defterler polis kazas\u0131na u\u011fruyordu. Yalvar yakar, kimse g\u00f6z\u00fcn\u00fcn ya\u015f\u0131na bakm\u0131yordu. Yapmay\u0131n etmeyin, bunlar ulusal k\u00fclt\u00fcr\u00fcn bir par\u00e7as\u0131\u2026 Kim anlar, kim dinler\u2026\u201d<\/p>\n<\/blockquote>\n\n\n\n Ya\u015far Kemal \u00fczerindeki bask\u0131lar\u0131 azaltmak amac\u0131yla 21 Ekim 1944\u2019te Halkevi bir vesika yay\u0131mlad\u0131:<\/p>\n\n\n\n \u201cAdana Halkevleri taraf\u0131ndan verilen bir vesikad\u0131r. Halkevimiz elemanlar\u0131ndan olup, bu kere folklor derlemesine memur edilen Kemal Sad\u0131k G\u00f6\u011fceli\u2019ye kaza, nahiye ve k\u00f6ylerde laz\u0131m gelen kolayl\u0131\u011f\u0131n g\u00f6sterilmesini sayg\u0131lar\u0131mla rica ederim. Ya\u015far Kemal\u2019in romanlar\u0131nda, hik\u00e2yelerinde ve r\u00f6portajlar\u0131nda, u\u00e7suz bucaks\u0131z halk k\u00fclt\u00fcr\u00fcn\u00fcn, destanlar\u0131n ve a\u011f\u0131tlar\u0131n izlerine her an rastlamak m\u00fcmk\u00fcnd\u00fcr. Onun yaratt\u0131\u011f\u0131 her roman kahraman\u0131, bir destandan ya da a\u011f\u0131ttan \u00e7\u0131km\u0131\u015f gibidir. Ya\u015far Kemal, halk\u0131 anlatman\u0131n en g\u00fczel yolunun yine halk\u0131n kendisi oldu\u011funu bilir.<\/p>\n\n\n\nDerleme D\u00f6nemi ve \u201cT\u00fcrk\u00fclerin M\u00fcfetti\u015fi\u201d Ya\u015far Kemal<\/h3>\n\n\n\n
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Adana Halkevi Reisi Eczac\u0131 Hasan Basri Arsoy.\u201d<\/p>\n<\/blockquote>\n\n\n\n