{"id":1044,"date":"2026-02-28T18:37:58","date_gmt":"2026-02-28T15:37:58","guid":{"rendered":"https:\/\/www.dbsnewsmedia.com\/?p=1044"},"modified":"2026-02-28T18:37:58","modified_gmt":"2026-02-28T15:37:58","slug":"is-kulturun-yeni-yayimladigi-kitaplar-okurlarla-bulustu","status":"publish","type":"post","link":"https:\/\/dbsnewsmedia.com\/?p=1044","title":{"rendered":"\u0130\u015f K\u00fclt\u00fcr\u2019\u00fcn yeni yay\u0131mlad\u0131\u011f\u0131 kitaplar okurlarla bulu\u015ftu"},"content":{"rendered":"\n

28.02.2026 18:38<\/p>\n\n\n\n

\"\"<\/figure>\n\n\n\n

T\u00fcrkiye \u0130\u015f Bankas\u0131 K\u00fclt\u00fcr Yay\u0131nlar\u0131 bu ay An\u0131, K\u0131lavuz, 21. Y\u00fczy\u0131l Kitapl\u0131\u011f\u0131, \u0130nceleme-Ara\u015ft\u0131rma, T\u00fcrk Edebiyat\u0131 Klasikleri, Modern Klasikler, \u00c7a\u011fda\u015f D\u00fcnya Edebiyat\u0131 ve \u00c7ocuk gibi dizilerine yeni kitaplar ekliyor.<\/h2>\n\n\n\n

ANI <\/h3>\n\n\n\n

\u015eERLOK HOLMES \u0130LE C\u0130NG\u00d6Z RECA\u0130\u2019N\u0130N \u0130Z\u0130NDE B\u0130R K\u0130TAP KURDU <\/strong><\/p>\n\n\n\n

\u2013 YAZAR, \u00c7EV\u0130RMEN, M\u00dcHEND\u0130S, B\u0130BL\u0130YOF\u0130L<\/p>\n\n\n\n

Erol \u00dcyepazarc\u0131  <\/p>\n\n\n\n

Erol \u00dcyepazarc\u0131, T\u00fcrkiye\u2019de matbuat tarihinin son 75 y\u0131l\u0131na yak\u0131ndan tan\u0131kl\u0131k etmi\u015f, yazar ve \u00e7evirmen olarak emek vermi\u015f bir bibliyofil. T\u00fcrkiye\u2019de polisiye ve pop\u00fcler roman konusunda \u00f6nde gelen uzmanlar aras\u0131nda. Tarih\u00e7i Re\u015fad Ekrem Ko\u00e7u\u2019nun hem \u00f6\u011frencisi olmu\u015f hem de efsanevi \u0130stanbul Ansiklopedisi\u2019nin yay\u0131n s\u00fcrecini takip etmi\u015f, katk\u0131 vermi\u015f bir isim. Kendi ifadesiyle \u201cbibliyofili ile bibliyomani aras\u0131ndaki ince s\u0131n\u0131rda dola\u015fan bir kitap sevdal\u0131s\u0131\u201d\u2026 <\/p>\n\n\n\n

\u00dcyepazarc\u0131 hat\u0131ralar\u0131nda, \u00f6\u011frencilik y\u0131llar\u0131ndan ba\u015flayarak ya\u015fam\u0131nda b\u00fcy\u00fck yeri olan yay\u0131n d\u00fcnyas\u0131n\u0131, Garbis Fikri\u2019den Hilmi \u00c7\u0131\u011f\u0131ra\u00e7an\u2019a, Remzi Bengi\u2019den Aznif Han\u0131m\u2019a Bab\u0131\u00e2li ve Beyo\u011flu kitap\u00e7\u0131lar\u0131n\u0131, eski Sahaflar \u00c7ar\u015f\u0131s\u0131 ile Muzaffer Ozak, \u0130brahim Manav, Raif Yelkenci gibi mesleklerinin duayeni olmu\u015f sahaflar\u0131, Erc\u00fcment Ekrem Talu, Osman Nuri Ergin, Cahit Kayra ve Mina Urgan gibi pek \u00e7ok yazarla tan\u0131\u015f\u0131kl\u0131klar\u0131n\u0131 ve bir y\u00f6netici olarak Anadolu\u2019da yerli \u00fcretimin geli\u015fmesine dair ya\u015fad\u0131klar\u0131n\u0131 anlat\u0131yor.<\/p>\n\n\n\n

<\/a><\/p>\n\n\n\n

<\/a>Eskilerin deyimiyle \u2018mec\u00e2nin-i k\u00fct\u00fcb\u2019den yani kitap \u00e2\u015f\u0131klar\u0131ndan Erol \u00dcyepazarc\u0131, \u015eerlok Holmes ile Cing\u00f6z Recai\u2019nin \u0130zinde Bir Kitap Kurdu ad\u0131n\u0131 verdi\u011fi kitab\u0131nda, okurunu 20. y\u00fczy\u0131l\u0131n ortalar\u0131ndan itibaren Pertevniyal Lisesi\u2019ndeki tarih derslerinden alarak, siyasi ve toplumsal olaylar\u0131n g\u00f6lgesindeki Teknik \u00dcniversite s\u0131ralar\u0131nda, eski \u0130stanbul\u2019un kahvelerinde, sinemalar\u0131nda, m\u00fcrettiplerin, musahhihlerin, m\u00fcvezzilerin ko\u015fu\u015fturdu\u011fu Bab\u0131\u00e2li sokaklar\u0131nda dola\u015ft\u0131r\u0131yor ve kitap\u00e7\u0131 d\u00fckk\u00e2nlar\u0131ndaki k\u00fc\u00e7\u00fck taburelerde dinledi\u011fi sahafiye an\u0131larla bulu\u015fturuyor.<\/p>\n\n\n\n

KILAVUZ D\u0130Z\u0130S\u0130<\/h3>\n\n\n\n

BEY\u0130N   <\/strong><\/p>\n\n\n\n

\"Image\"\/<\/figure>\n\n\n\n

Michael O\u2019shea<\/p>\n\n\n\n

\u0130ngilizce Asl\u0131ndan \u00c7eviren: Gamze Do\u011fan<\/p>\n\n\n\n

Beyin nas\u0131l \u00e7al\u0131\u015f\u0131r? Beynimiz h\u00e2l\u00e2 evrim ge\u00e7iriyor mu? \u0130nsan beyni di\u011fer canl\u0131lar\u0131n beyinlerinden ne kadar farkl\u0131d\u0131r? Beynimizin 100 trilyon ara ba\u011flant\u0131 arac\u0131l\u0131\u011f\u0131yla birbiriyle ileti\u015fim kuran toplam 100 milyar sinir h\u00fccresi i\u00e7erdi\u011fini biliyor muydunuz?<\/p>\n\n\n\n

Oxford \u00dcniversitesi\u2019nin bu k\u0131sa giri\u015f kitab\u0131nda yazar Michael O\u2019Shea hepi topu 1,2 kilogram a\u011f\u0131rl\u0131\u011f\u0131ndaki bu b\u00fcy\u00fcleyici organ\u0131n i\u015fleyi\u015fine \u0131\u015f\u0131k tutuyor. G\u00fcncel beyin ara\u015ft\u0131rmalar\u0131ndaki temel konular \u00f6zetleniyor ve n\u00f6robilim alan\u0131nda y\u00fcr\u00fct\u00fclen ara\u015ft\u0131rmalar\u0131n gelece\u011fimize muhtemel etkileri tart\u0131\u015fmaya a\u00e7\u0131l\u0131yor. Zihnin bile\u015fenleri, beyinde ba\u011flant\u0131lar\u0131n kurulu\u015fu, bellek mekanizmas\u0131, duyumsama, alg\u0131lama, eyleme s\u00fcre\u00e7leri gibi konular duru bir bilimsel dille aktar\u0131l\u0131yor.<\/p>\n\n\n\n

21. Y\u00dcZYIL K\u0130TAPLI\u011eI<\/h3>\n\n\n\n

KARA TUTMASI          <\/strong><\/p>\n\n\n\n

Nikolaj Schultz<\/p>\n\n\n\n

\u00c7eviren: Hande Ko\u00e7ak<\/p>\n\n\n\n

\u201cBizi ekolojik aciliyetle y\u00fczle\u015fmek \u00fczere harekete ge\u00e7irebilecek bir kitap varsa, o da Kara Tutmas\u0131\u2019d\u0131r. Kolay okunan bir metnin estetik hazz\u0131n\u0131, derin bir varolu\u015fsal angajmanla benzersiz bir bi\u00e7imde birle\u015ftiriyor.\u201d \u2013 Slavoj \u017di\u017eek<\/p>\n\n\n\n

2022 yaz\u0131. \u0130klim de\u011fi\u015fikli\u011fi kaynakl\u0131 s\u0131cak hava dalgalar\u0131 Paris\u2019i kavururken Danimarkal\u0131 sosyolog Nikolaj Schultz, uykusuz gecelerden ve zihnini kemiren sorgulamalardan uzakla\u015fmak, \u201cbiraz a\u00e7\u0131lmak\u201d ve ferahlamak i\u00e7in y\u00f6n\u00fcn\u00fc Akdeniz\u2019deki Porquerolles Adas\u0131\u2019na \u00e7evirir. Ancak adaya ayak basar basmaz, bu ge\u00e7ici cennete s\u0131\u011f\u0131nan binlerce ki\u015fi gibi kendi ziyaretinin de adan\u0131n yava\u015f yok olu\u015funa katk\u0131da bulundu\u011funu fark eder. Hy\u00e8res tak\u0131madalar\u0131n\u0131n incisi Porquerolles\u2019de falezler her y\u0131l birka\u00e7 santimetre a\u015f\u0131nmakta; artan k\u0131y\u0131 faaliyetleri, altyap\u0131 d\u00fczenlemeleri ve turizm bask\u0131s\u0131 plajlar\u0131n kendini yenilemesini sa\u011flayan do\u011fal s\u00fcre\u00e7leri zay\u0131flatmaktad\u0131r.<\/p>\n\n\n\n

\u0130klim meselesinin sadece \u00e7evresel de\u011fil, ayn\u0131 zamanda varolu\u015fsal bir kriz yaratt\u0131\u011f\u0131 bir \u00e7a\u011fda ya\u015f\u0131yoruz. Schultz bu krizi istatistiklerle ya da soyut kuramlarla de\u011fil, ya\u015fanan deneyimin i\u00e7inden kavrayan etnografik-anlat\u0131sal bir deneme sunuyor. Antroposen \u00e7a\u011f\u0131nda \u00f6zg\u00fcrl\u00fc\u011f\u00fcn nas\u0131l sorumluluk do\u011furdu\u011funu, her eylemin nas\u0131l iz b\u0131rakt\u0131\u011f\u0131n\u0131, ka\u00e7\u0131\u015f\u0131n nas\u0131l imk\u00e2ns\u0131zla\u015ft\u0131\u011f\u0131n\u0131 ki\u015fisel anlat\u0131yla d\u00fc\u015f\u00fcnsel denemeyi harmanlayan \u00f6zg\u00fcn bir dille ele al\u0131yor.<\/p>\n\n\n\n

G\u00fc\u00e7l\u00fc siyasal ve toplumsal te\u015fhisler de bar\u0131nd\u0131ran kitapta \u00fcretim merkezli modern s\u0131n\u0131f anlay\u0131\u015f\u0131n\u0131n \u00e7\u00f6kt\u00fc\u011f\u00fc \u00f6ne s\u00fcr\u00fcl\u00fcyor: Art\u0131k kimin hangi topraklarda ya\u015fayabilece\u011fi, kimin sele, yang\u0131na, kurakl\u0131\u011fa maruz kalaca\u011f\u0131 etraf\u0131nda \u015fekillenen yeni \u201cjeososyal s\u0131n\u0131flar\u201dla kar\u015f\u0131 kar\u015f\u0131yay\u0131z. G\u00fcn\u00fcm\u00fcz\u00fcn temel \u00e7at\u0131\u015fmalar\u0131 yaln\u0131zca emek ile sermaye aras\u0131nda de\u011fil, ya\u015fanabilir bir d\u00fcnyaya eri\u015fim etraf\u0131nda d\u00f6n\u00fcyor.<\/p>\n\n\n\n

Kara Tutmas\u0131 okuru teselli etmiyor, daha de\u011ferli bir \u015fey sunuyor: Antroposen\u2019de ya\u015faman\u0131n, d\u00fc\u015f\u00fcnmenin ve sorumluluk alman\u0131n ne anlama geldi\u011fine dair sars\u0131c\u0131 bir berrakl\u0131k.<\/p>\n\n\n\n

\u0130NCELEME \u2013 ARA\u015eTIRMA<\/h3>\n\n\n\n

BEBE\u011e\u0130N K\u0130\u015e\u0130LERARASI D\u00dcNYASI   <\/strong><\/p>\n\n\n\n

Daniel N. Stern <\/p>\n\n\n\n

\u00c7eviren: I\u015f\u0131k Do\u011fang\u00fcn<\/p>\n\n\n\n

\u0130nsan geli\u015fimi, yaln\u0131zca biyolojik bir s\u00fcre\u00e7 de\u011fil, her an\u0131 yo\u011fun ili\u015fkisel \u00f6r\u00fcnt\u00fclerle \u015fekillenen bir varolu\u015f bi\u00e7imidir. Daniel Stern\u2019\u00fcn klasikle\u015fmi\u015f eseri Bebe\u011fin Ki\u015fileraras\u0131 D\u00fcnyas\u0131, modern psikoloji ve psikanalizin bu \u00f6r\u00fcnt\u00fcleri anlamaya d\u00f6n\u00fck en etkili sentezlerinden birini sunar.<\/p>\n\n\n\n

Stern, geli\u015fimin a\u015famalar halinde ilerledi\u011fi geleneksel modellere kar\u015f\u0131 \u00e7\u0131karak, kendili\u011fin katmanlar halinde biriken deneyimlerle kuruldu\u011funu savunur. Beliren kendilik, \u00e7ekirdek kendilik, \u00f6zneleraras\u0131l\u0131k ve anlat\u0131sal kendilik gibi kavramlarla bebeklik d\u00f6nemindeki zihinsel ya\u015fam\u0131n zenginli\u011fini g\u00f6r\u00fcn\u00fcr k\u0131lar. Mikro-analitik bebek g\u00f6zlemlerini, n\u00f6robiyolojik bulgular\u0131 ve klinik deneyimi yan yana getirerek, erken ili\u015fkilerin nas\u0131l i\u00e7sel temsillere d\u00f6n\u00fc\u015ft\u00fc\u011f\u00fcn\u00fc \u015fa\u015f\u0131rt\u0131c\u0131 bir berrakl\u0131kla g\u00f6sterir. Yeni bask\u0131ya eklenen kapsaml\u0131 Giri\u015f b\u00f6l\u00fcm\u00fc, ayna n\u00f6ronlardan \u00f6zneleraras\u0131l\u0131\u011f\u0131n erken bi\u00e7imlerine kadar g\u00fcncel ara\u015ft\u0131rmalar\u0131 de\u011ferlendirir.<\/p>\n\n\n\n

Bebe\u011fin Ki\u015fileraras\u0131 D\u00fcnyas\u0131 terapistler, ara\u015ft\u0131rmac\u0131lar, ebeveynler ve insan do\u011fas\u0131na merak duyan herkes i\u00e7in \u00f6nemli bir kaynak olmay\u0131 s\u00fcrd\u00fcr\u00fcyor.<\/p>\n\n\n\n

MODERN KLAS\u0130KLER D\u0130Z\u0130S\u0130<\/h3>\n\n\n\n

DUVARGE\u00c7EN   <\/strong><\/p>\n\n\n\n

\"Image\"\/<\/figure>\n\n\n\n

Marcel Aym\u00e9 <\/p>\n\n\n\n

Frans\u0131zca Asl\u0131ndan \u00c7eviren: Alev \u00d6zg\u00fcner<\/p>\n\n\n\n

Duvarge\u00e7en, Marcel Aym\u00e9\u2019nin \u0130kinci D\u00fcnya Sava\u015f\u0131 s\u0131ras\u0131nda Paris\u2019in Montmartre semtinde ge\u00e7en fantastik \u00f6yk\u00fcs\u00fcd\u00fcr. \u0130mgelemle mizah\u0131n i\u00e7 i\u00e7e ge\u00e7ti\u011fi, \u00f6zg\u00fcrl\u00fck ve isyank\u00e2rl\u0131k temalar\u0131yla dikkat \u00e7eken bu \u00f6yk\u00fc, okura unutulmaz bir edebi deneyim vaat eder. \u00d6yk\u00fcn\u00fcn kahraman\u0131 Dutilleul\u2019\u00fcn sava\u015f zaman\u0131 duvarlardan ge\u00e7erken asl\u0131nda toplumsal s\u0131n\u0131rlar\u0131 ve normlar\u0131 da ihlal etmesi m\u00e2nidard\u0131r. 1941 y\u0131l\u0131nda Lectures 40 dergisinde yay\u0131mlanan Duvarge\u00e7en, zamanla Marcel Aym\u00e9\u2019nin en sevilen yap\u0131tlar\u0131ndan biri haline gelirken, Paris\u2019e de damgas\u0131n\u0131 vurmu\u015ftur. Zira akt\u00f6r ve heykelt\u0131ra\u015f Jean Marais taraf\u0131ndan yap\u0131lan ve 1989 y\u0131l\u0131nda Montmartre\u2019da yerini alan \u201cDuvarge\u00e7en\u201d heykeli, bug\u00fcn semtin bohem ruhunun simgesi ve zengin k\u00fclt\u00fcr miras\u0131n\u0131n bir par\u00e7as\u0131 olarak kabul edilir.<\/p>\n\n\n\n

Duvarge\u00e7en daha sonra yazar\u0131n ger\u00e7ek\u00fcst\u00fc mizahi \u00f6yk\u00fclerinden olu\u015fan bu 1943 tarihli derlemenin de ba\u015fl\u0131\u011f\u0131 oldu. Bu \u00f6yk\u00fclerde sava\u015f\u0131n deh\u015feti kendini hissettirir. Aym\u00e9\u2019nin a\u00e7l\u0131k ve yokluk \u00e7eken karakterleri bir yandan da \u00fclkeyi y\u00f6netenlerin abs\u00fcrd kararlar\u0131 y\u00fcz\u00fcnden bunal\u0131rlar. Ancak Aym\u00e9\u2019nin ger\u00e7eklikle d\u00fc\u015fsel olan\u0131 harmanlad\u0131\u011f\u0131 b\u00fcy\u00fcl\u00fc d\u00fcnyas\u0131nda, en a\u011f\u0131r trajedi kar\u015f\u0131s\u0131nda bile her zaman bir kurtulu\u015f yolu bulunur.<\/p>\n\n\n\n

ORLANDO   <\/strong><\/p>\n\n\n\n

Virginia Woolf <\/p>\n\n\n\n

\u0130ngilizce Asl\u0131ndan \u00c7eviren: Emrah \u0130mre<\/p>\n\n\n\n

Orlando\u2019da s\u0131n\u0131fsal, k\u00fclt\u00fcrel ya da cinsel kimliklerin hi\u00e7birinin sabit ve de\u011fi\u015fmez olmad\u0131\u011f\u0131n\u0131, aksine insan\u0131 insan yapan t\u00fcm kimliklerin d\u00f6n\u00fc\u015f\u00fcm i\u00e7inde oldu\u011funu tart\u0131\u015f\u0131r Virginia Woolf. Biri di\u011ferinden kesin s\u0131n\u0131rlarla ayr\u0131lan ge\u00e7irimsiz d\u00fcnyalar hi\u00e7bir zaman s\u00f6z konusu de\u011fildir: \u0130nsan\u0131n d\u00fcnyadaki ya\u015fam ser\u00fcveni; ge\u00e7i\u015fleri, kar\u015f\u0131l\u0131kl\u0131 al\u0131\u015fveri\u015fleri, m\u00fcphem ve tekinsiz varolu\u015f sahalar\u0131yla esasta bir etkile\u015fimler toplam\u0131d\u0131r. Bir \u201cerkek\u201d olarak ba\u015flad\u0131\u011f\u0131 ya\u015fam\u0131na bir \u201ckad\u0131n\u201d olarak devam eden, fakat \u201cerkek olu\u015fu\u201d b\u00fcsb\u00fct\u00fcn tasfiye etmeyen, bilakis kad\u0131n ve erkek d\u00fcnyalar\u0131n\u0131 kendi ruhunda ve bedeninde kayna\u015ft\u0131ran Orlando ayn\u0131 zamanda \u201ctarihsel\u201d bir ki\u015filiktir de. Metinde d\u00f6rt y\u00fczy\u0131la yay\u0131lm\u0131\u015f bir ya\u015fam\u0131n bilan\u00e7osu \u00e7\u0131kar\u0131l\u0131r. <\/p>\n\n\n\n

Woolf, Orlando karakteri \u00f6zelinde modern d\u00fcnyan\u0131n insan tasar\u0131m\u0131n\u0131n alt\u0131n\u0131 \u00fcst\u00fcne getirir: \u00d6zellikle ku\u015fak saplant\u0131s\u0131yla malul, m\u00fclkiyetin yan\u0131 s\u0131ra, siyasi ve hukuki imtiyazlarla da donanm\u0131\u015f, incelmi\u015f zevklerini d\u00fcnyan\u0131n ba\u015f\u0131na kakan burjuva aile formu ve birey imgesi keskin bir ironiyle, \u00fcstelik d\u0131\u015far\u0131dan de\u011fil, i\u00e7eriden ve yerinde g\u00f6zlemlerle de\u015fifre edilir. Ger\u00e7eklik ve fantezinin i\u00e7i i\u00e7e ge\u00e7ti\u011fi Orlando \u00e7a\u011fda\u015f edebiyat\u0131n emsalsiz metinlerinden biridir.<\/p>\n\n\n\n

\u00c7A\u011eDA\u015e D\u00dcNYA EDEB\u0130YATI <\/h3>\n\n\n\n

PEMBE \u00c7AMUR                        <\/strong><\/p>\n\n\n\n

Fernanda Tr\u00edas<\/p>\n\n\n\n

\u00c7eviren: Emrah \u0130mre<\/p>\n\n\n\n

Fernanda Tr\u00edas, Uruguay ve Meksika\u2019da kazand\u0131\u011f\u0131 pek \u00e7ok \u00f6d\u00fcl\u00fcn ard\u0131ndan on yedi dile \u00e7evrilen ve d\u00fcnya \u00e7ap\u0131nda ba\u015far\u0131 kazanan Pembe \u00c7amur\u2019la k\u0131yamet yakla\u015f\u0131rken haf\u0131zas\u0131na, azmine ve y\u00fcre\u011findeki merhamete sar\u0131lanlar\u0131n hik\u00e2yesini anlat\u0131yor.<\/p>\n\n\n\n

D\u00fcnya giderek felakete s\u00fcr\u00fcklenmektedir. \u015eehirlerde r\u00fczg\u00e2rlar mide buland\u0131r\u0131c\u0131 kokular ta\u015f\u0131maya ba\u015flam\u0131\u015f, nehirlerin kabaran sular\u0131 renkleri k\u0131z\u0131la \u00e7alan tuhaf yosunlarla dolmu\u015ftur. G\u0131da s\u0131k\u0131nt\u0131s\u0131na \u00e7are olma iddias\u0131ndaki bir fabrika, herkesi doyuraca\u011f\u0131 s\u00f6ylenen pembe bir \u00e7amura benzeyen, i\u00e7eri\u011fi belirsiz bir g\u0131dan\u0131n \u00fcretimine ba\u015flar.<\/p>\n\n\n\n

Esrarengiz bir salg\u0131n sonucu harabeye d\u00f6nm\u00fc\u015f \u015fehirlerden birinde bir kad\u0131n ge\u00e7imsiz annesine, bir t\u00fcrl\u00fc uzak duramad\u0131\u011f\u0131 eski kocas\u0131na ve bak\u0131c\u0131l\u0131k yapt\u0131\u011f\u0131 doymaktan aciz bir \u00e7ocu\u011fa yani hayat\u0131nda kalan son insanlara \u00e7aresizce tutunmaya \u00e7al\u0131\u015fmaktad\u0131r.<\/p>\n\n\n\n

T\u00dcRK EDEB\u0130YATI KLAS\u0130KLER\u0130 <\/h3>\n\n\n\n

ARABA SEVDASI     <\/strong><\/p>\n\n\n\n

\"Image\"\/<\/figure>\n\n\n\n

Recaizade Mahmut Ekrem <\/p>\n\n\n\n

G\u00fcn\u00fcm\u00fcz T\u00fcrk\u00e7esine Uyarlayan: P\u0131nar G\u00fcven<\/p>\n\n\n\n

Bihruz Bey yar\u0131m yamalak e\u011fitim g\u00f6rm\u00fc\u015f, \u015f\u0131mar\u0131k, hayalperest ve mirasyedi bir vezir \u00e7ocu\u011fudur. \u00c7al\u0131\u015ft\u0131\u011f\u0131 daireye arada bir u\u011frayan bu Tanzimat gencinin \u015f\u0131k giyinmek, l\u00fcks arabas\u0131yla mesirelerde boy g\u00f6stermek, Beyo\u011flu\u2019ndaki ma\u011fazalardan pahal\u0131 sipari\u015fler vermek ve konu\u015furken Frans\u0131zca s\u00f6zc\u00fckler kullanmak gibi \u00f6zenti zevkleri vard\u0131r. Bir g\u00fcn piyasa etmek i\u00e7in \u00c7aml\u0131ca Bah\u00e7esi\u2019ne giden Bihruz Bey l\u00fcks bir landoda \u00e7ok g\u00fczel bir kad\u0131n g\u00f6r\u00fcr ve hemen \u00e2\u015f\u0131k olur. Ad\u0131n\u0131n Perive\u015f oldu\u011funu \u00f6\u011frendi\u011fi ve y\u00fcksek s\u0131n\u0131ftan sand\u0131\u011f\u0131 bu kad\u0131nla ileti\u015fim kurmaya \u00e7al\u0131\u015f\u0131r ancak sonu\u00e7 alamaz. Zamanla yemeden i\u00e7meden kesilir ve kafas\u0131nda hayali sevgilisiyle ya\u015fad\u0131\u011f\u0131 bir d\u00fcnya kurar. Yalanc\u0131l\u0131\u011f\u0131yla me\u015fhur arkada\u015f\u0131 Ke\u015ffi Bey\u2019den sevgilisinin \u00f6ld\u00fc\u011f\u00fcn\u00fc \u00f6\u011frenince bu \u00f6l\u00fcme kendi a\u015fk\u0131n\u0131n ve sevgilisine g\u00f6nderdi\u011fi mektupta yanl\u0131\u015f se\u00e7ilen bir \u015fiirin sebep oldu\u011funa inan\u0131r. Kendini affettirmek i\u00e7in bu sefer de Perive\u015f\u2019in mezar\u0131n\u0131 aramaya ba\u015flar. <\/p>\n\n\n\n

Recaizade Mahmut Ekrem, \u015fiir, tiyatro, hik\u00e2ye ve roman t\u00fcrlerinde yazd\u0131\u011f\u0131 eserlerinden en \u00f6nemlisi olan ve romantizmden realizme ge\u00e7i\u015f k\u00f6pr\u00fcs\u00fc olarak de\u011ferlendirilen Araba Sevdas\u0131\u2019nda yaratt\u0131\u011f\u0131 Bihruz tipiyle bir yandan \u00f6zenti alafrangal\u0131k ele\u015ftirisi yaparken \u00f6te yandan d\u00f6nemin edebiyat d\u00fcnyas\u0131nda yayg\u0131n olan romantik ak\u0131mla da alay etmekten geri durmaz. <\/p>\n\n\n\n

\u201cB\u00fct\u00fcn roman bir \u015fakaya benzer. Hatta \u00f6l\u00fcm bile bir \u015fakad\u0131r ve yaland\u0131r. A\u015fk bir \u015fakad\u0131r yahut yanl\u0131\u015fl\u0131klar komedisidir. Fakat gizli zembereklere gelince i\u015f de\u011fi\u015fir. Terbiye ve de\u011ferler yoklu\u011funda Recaizade en sarih dille konu\u015fur.\u201d \u2013 Ahmet Hamdi Tanp\u0131nar<\/p>\n\n\n\n

\u00d6ZEL D\u0130Z\u0130 <\/h3>\n\n\n\n

MEL\u00c2HAT & E\u015eREF \u00dcREN \u2013 YAN YANA<\/strong><\/p>\n\n\n\n

Ali Kayaalp <\/p>\n\n\n\n

\u00c7eviren: T\u00fclin Er                                  <\/p>\n\n\n\n

EREN & BEDR\u0130 RAHM\u0130 EY\u00dcBO\u011eLU \u2013 YAN YANA<\/strong><\/p>\n\n\n\n

\u00d6mer Faruk \u015eerifo\u011flu <\/p>\n\n\n\n

\u00c7eviren: T\u00fclin Er                                  <\/p>\n\n\n\n

T\u00fcrkiye \u0130\u015f Bankas\u0131 Resim Heykel M\u00fczesi\u2019nin s\u00fcreli sergisi \u201cYan Yana\u201d, sanat d\u00fcnyam\u0131zdan iki \u00f6nemli \u00e7iftin, Melahat ve E\u015fref \u00dcren ile Eren ve Bedri Rahmi Ey\u00fcbo\u011flu\u2019nun eserlerini bir araya getiriyor. A\u00e7\u0131ld\u0131\u011f\u0131 g\u00fcnden bu yana b\u00fcy\u00fck ilgi g\u00f6ren serginin \u0130\u015f Sanat koordinasyonunda haz\u0131rlanan kitab\u0131 T\u00fcrkiye \u0130\u015f Bankas\u0131 K\u00fclt\u00fcr Yay\u0131nlar\u0131 etiketiyle okuyucuyla bulu\u015ftu.<\/p>\n\n\n\n

M\u00fczenin iki kat\u0131na yay\u0131lan serginin kitab\u0131 da iki cilt olarak tasarland\u0131: \u00dcren se\u00e7kisinin k\u00fcrat\u00f6rl\u00fc\u011f\u00fcn\u00fc yapan Dr. \u00d6\u011fr. \u00dcyesi Ali Kayaalp ve Ey\u00fcbo\u011flu se\u00e7kisinin k\u00fcrat\u00f6rl\u00fc\u011f\u00fcn\u00fc \u00fcstlenen \u00d6mer Faruk \u015eerifo\u011flu ciltleri yay\u0131na haz\u0131rlad\u0131. \u00c7iftlerin sanat yolculu\u011funa dair kapsaml\u0131 birer incelemeyle a\u00e7\u0131lan kitaplarda eser g\u00f6rsellerine, ar\u015fiv foto\u011fraflar\u0131, mektuplar, karikat\u00fcrler, \u015fiirler, eskizler ve belgeler e\u015flik ediyor. T\u00fcrk\u00e7e-\u0130ngilizce \u00e7ift dilli olarak haz\u0131rlanan kitab\u0131n tasar\u0131m\u0131n\u0131, serginin de tasar\u0131mc\u0131s\u0131 Timu\u00e7in Unan yapt\u0131. Kitaptaki eser foto\u011fraflar\u0131n\u0131 ise Hadiye Cang\u00f6k\u00e7e ve Tolga \u0130ldun \u00e7ekti.  <\/p>\n\n\n\n

Kaynak:https:\/\/www.cumhuriyet.com.tr\/<\/a><\/p>\n\n\n\n

Karde\u015f haber kaynak:\u0130\u015f K\u00fclt\u00fcr\u2019\u00fcn yeni yay\u0131mlad\u0131\u011f\u0131 kitaplar okurlarla bulu\u015ftu \u2013 OPENNEWS<\/a><\/a><\/p>\n\n\n\n

<\/p>\n","protected":false},"excerpt":{"rendered":"

28.02.2026 18:38 T\u00fcrkiye \u0130\u015f Bankas\u0131 K\u00fclt\u00fcr Yay\u0131nlar\u0131 bu ay An\u0131, K\u0131lavuz, 21. Y\u00fczy\u0131l Kitapl\u0131\u011f\u0131, \u0130nceleme-Ara\u015ft\u0131rma, T\u00fcrk Edebiyat\u0131 Klasikleri, Modern Klasikler, \u00c7a\u011fda\u015f D\u00fcnya Edebiyat\u0131 ve \u00c7ocuk gibi dizilerine yeni kitaplar ekliyor. ANI  \u015eERLOK HOLMES \u0130LE C\u0130NG\u00d6Z RECA\u0130\u2019N\u0130N \u0130Z\u0130NDE B\u0130R K\u0130TAP KURDU  \u2013 YAZAR, \u00c7EV\u0130RMEN, M\u00dcHEND\u0130S, B\u0130BL\u0130YOF\u0130L Erol \u00dcyepazarc\u0131   Erol \u00dcyepazarc\u0131, T\u00fcrkiye\u2019de matbuat tarihinin son 75 y\u0131l\u0131na…<\/p>\n","protected":false},"author":5,"featured_media":1045,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"_jetpack_memberships_contains_paid_content":false,"footnotes":""},"categories":[10],"tags":[433,432],"class_list":["post-1044","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-kultur-sanat","tag-kitap-severler","tag-kultur"],"jetpack_featured_media_url":"https:\/\/dbsnewsmedia.com\/wp-content\/uploads\/2026\/02\/16.webp","jetpack_sharing_enabled":true,"_links":{"self":[{"href":"https:\/\/dbsnewsmedia.com\/index.php?rest_route=\/wp\/v2\/posts\/1044","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/dbsnewsmedia.com\/index.php?rest_route=\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/dbsnewsmedia.com\/index.php?rest_route=\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/dbsnewsmedia.com\/index.php?rest_route=\/wp\/v2\/users\/5"}],"replies":[{"embeddable":true,"href":"https:\/\/dbsnewsmedia.com\/index.php?rest_route=%2Fwp%2Fv2%2Fcomments&post=1044"}],"version-history":[{"count":1,"href":"https:\/\/dbsnewsmedia.com\/index.php?rest_route=\/wp\/v2\/posts\/1044\/revisions"}],"predecessor-version":[{"id":1046,"href":"https:\/\/dbsnewsmedia.com\/index.php?rest_route=\/wp\/v2\/posts\/1044\/revisions\/1046"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/dbsnewsmedia.com\/index.php?rest_route=\/wp\/v2\/media\/1045"}],"wp:attachment":[{"href":"https:\/\/dbsnewsmedia.com\/index.php?rest_route=%2Fwp%2Fv2%2Fmedia&parent=1044"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/dbsnewsmedia.com\/index.php?rest_route=%2Fwp%2Fv2%2Fcategories&post=1044"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/dbsnewsmedia.com\/index.php?rest_route=%2Fwp%2Fv2%2Ftags&post=1044"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}