04.06.2026 16:12<\/p>\n\n\n\n
29. U\u00e7an S\u00fcp\u00fcrge Uluslararas\u0131 Kad\u0131n Filmleri Festivali’nin ikinci g\u00fcn\u00fc geride kald\u0131<\/p>\n\n\n\n
29. U\u00e7an S\u00fcp\u00fcrge Uluslararas\u0131 Kad\u0131n Filmleri Festivali\u2019nin ikinci g\u00fcn\u00fc; ‘\u00c7i\u00e7ek mi dediniz?’ temas\u0131 etraf\u0131nda \u015fekillenen, kad\u0131nlar\u0131n ev i\u00e7i yaln\u0131zl\u0131klardan cezaevi h\u00fccrelerine uzanan diren\u00e7 hik\u00e2yelerini beyaz perdeye ta\u015f\u0131d\u0131\u011f\u0131 g\u00fc\u00e7l\u00fc anlat\u0131larla, Ankaral\u0131 sinemaseverlerin haf\u0131zas\u0131nda derin izler b\u0131rakt\u0131.<\/p>\n\n\n\n
Ankara\u2019n\u0131n farkl\u0131 k\u00fclt\u00fcr ve sanat noktalar\u0131nda ger\u00e7ekle\u015fen film g\u00f6sterimleri, ustal\u0131k dersleri ve y\u00f6netmen s\u00f6yle\u015fileri, sineman\u0131n kad\u0131n direni\u015fini ve kad\u0131n eme\u011fini g\u00f6r\u00fcn\u00fcr k\u0131lma g\u00fcc\u00fcn\u00fc bir kez daha en y\u00fcksek perdeden hissettirdi. G\u00fcn\u00fcn ilk seanslar\u0131ndan itibaren salonlar\u0131 dolduran sinemaseverler, kad\u0131nlar\u0131n adalet, diren\u00e7, kendilik aray\u0131\u015f\u0131 ve toplumsal haf\u0131zadaki yerini oda\u011f\u0131na alan \u00e7ok katmanl\u0131 bir programla bulu\u015ftu. Festival, sadece beyaz perdeye yans\u0131yan hik\u00e2yelerle s\u0131n\u0131rl\u0131 kalmay\u0131p, g\u00f6sterimlerin ard\u0131ndan d\u00fczenlenen s\u00f6yle\u015filerle salonlar\u0131 ortak bir dayan\u0131\u015fma ve d\u00fc\u015f\u00fcnsel \u00fcretim alan\u0131na d\u00f6n\u00fc\u015ft\u00fcrd\u00fc.<\/p>\n\n\n\n
Beyaz Perdede Kad\u0131nlar\u0131n Hik\u00e2yeleri ve G\u00fc\u00e7l\u00fc Anlat\u0131lar Festivalin ikinci g\u00fcn program\u0131, sabah saat 11.00 seans\u0131nda izleyicilere sunulan K\u00fcrek Teknesi ve D\u00f6n\u00fc\u015f\u00fcn \u00dc\u00e7 Yolu yap\u0131mlar\u0131yla ba\u015flad\u0131. Y\u00f6netmen Cecilia Verheyden\u2019in sinematografik ba\u015far\u0131s\u0131yla dikkat \u00e7eken K\u00fcrek Teknesi\/ Skiff filmi, izleyicileri b\u00fcy\u00fcme sanc\u0131lar\u0131 ve gen\u00e7 bir kad\u0131n\u0131n i\u00e7sel m\u00fccadelesiyle ba\u015f ba\u015fa b\u0131rakt\u0131. Ayn\u0131 seansta g\u00f6sterilen Mania Akbari, Andrea Luka Zimmerman ve Xiaolu Guo imzal\u0131 D\u00f6n\u00fc\u015f\u00fcn \u00dc\u00e7 Yolu \/Three Ways of Returning filmi ise co\u011frafi s\u0131n\u0131rlar\u0131, aidiyet duygusunu ve k\u00f6klere d\u00f6n\u00fc\u015f aray\u0131\u015f\u0131n\u0131 deneysel bir dille sorgulayarak festivalin d\u00fc\u015f\u00fcnsel derinli\u011fini ilk saatlerden itibaren yukar\u0131 ta\u015f\u0131d\u0131. Saat 14.00 seans\u0131nda ise izleyiciler, sineman\u0131n farkl\u0131 d\u00f6nemlerine ve co\u011frafyalar\u0131na uzanan bir se\u00e7kiyle bulu\u015ftu. Anna Fitch ve Banker White\u2019\u0131n y\u00f6netti\u011fi Yo, A\u015fk Asi Bir Ku\u015ftur filminin \u00f6zg\u00fcn sinema dilinin ard\u0131ndan, sinema tarihinin \u00f6nemli kad\u0131n y\u00f6netmenlerinden Judit Elek\u2019in Belki Yar\u0131n \/ Maybe Tomorrow film \u00f6ncesi sunumu ile sinemaseverlerle bulu\u015ftu. Elek\u2019in karakter analizlerindeki ustal\u0131\u011f\u0131 ve toplumsal bask\u0131 alt\u0131ndaki bireyin i\u00e7 d\u00fcnyas\u0131n\u0131 i\u015fleme bi\u00e7imi izleyicilerden b\u00fcy\u00fck alk\u0131\u015f ald\u0131. <\/p>\n\n\n\n