08:03:2026 14:38<\/p>\n\n\n\n
T\u00fcrk edebiyat\u0131n\u0131n \u00f6nemli isimlerinden H\u00fcseyin Rahmi G\u00fcrp\u0131nar<\/strong>, aram\u0131zdan ayr\u0131l\u0131\u015f\u0131n\u0131n y\u0131l d\u00f6n\u00fcm\u00fcnde bir kez daha an\u0131l\u0131yor. 1864 do\u011fumlu G\u00fcrp\u0131nar, \u00f6zellikle toplumsal ele\u015ftirileri ve g\u00f6zlem yetene\u011fiyle \u00f6ne \u00e7\u0131kan eserleriyle T\u00fcrk roman\u0131nda kendine \u00f6zg\u00fc bir yer edinmi\u015fti.<\/p>\n\n\n\n H\u00fcseyin Rahmi G\u00fcrp\u0131nar, \u0130stanbul halk\u0131n\u0131n toplumsal ve t\u00f6resel ya\u015fam\u0131n\u0131, aile ge\u00e7imsizliklerini, bat\u0131l inan\u00e7lar\u0131n\u0131 ve d\u00f6nemin T\u00fcrk toplumunun ya\u015fad\u0131\u011f\u0131 krizleri, usta bir mizah anlay\u0131\u015f\u0131yla eserlerine yans\u0131t\u0131r. Servet-i F\u00fcn\u00fbn ku\u015fa\u011f\u0131yla \u00e7a\u011fda\u015f olmas\u0131na ra\u011fmen kendi \u00f6zg\u00fcn sanat anlay\u0131\u015f\u0131n\u0131 s\u00fcrd\u00fcrm\u00fc\u015ft\u00fcr.<\/p>\n\n\n\n Romanlar\u0131ndaki kahramanlar, 19. y\u00fczy\u0131l sonu \u0130stanbul\u2019un canl\u0131 ve renkli insan portreleri ile g\u00fcnl\u00fck ya\u015fam manzaralar\u0131n\u0131 yans\u0131t\u0131r; Anadolu\u2019ya eserlerinde nadiren yer verir. Mizah\u0131 yaln\u0131zca g\u00fcld\u00fcrmek i\u00e7in de\u011fil, toplumun g\u00fcl\u00fcn\u00e7 y\u00f6nlerini ortaya koymak ve hicvetmek i\u00e7in kulland\u0131\u011f\u0131 bir ara\u00e7t\u0131r. G\u00fcrp\u0131nar, karakterlerini seviyelerine uygun bi\u00e7imde ustaca konu\u015fturur, olaylar\u0131 hem g\u00fcl\u00fcn\u00e7 hem de ac\u0131kl\u0131 y\u00f6nleriyle anlat\u0131r.<\/p>\n\n\n\n G\u00fc\u00e7l\u00fc bir g\u00f6zlem yetene\u011fine sahip olan yazar, realist ve nat\u00fcralist bir bak\u0131\u015f a\u00e7\u0131s\u0131yla \u201ctoplum i\u00e7in sanat\u201d anlay\u0131\u015f\u0131n\u0131 benimsemi\u015ftir. \u00d6rne\u011fin, Ertem E\u011filmez\u2019in 1976\u2019da \u00e7ekti\u011fi S\u00fct Karde\u015fler filmi, H\u00fcseyin Rahmi\u2019nin 1913 tarihli Gulyabani roman\u0131ndan uyarlanm\u0131\u015ft\u0131r. G\u00fcrp\u0131nar, ba\u011f\u0131ms\u0131z bir sanat\u00e7\u0131 olarak T\u00fcrk edebiyat\u0131nda \u00f6zel bir konuma sahiptir.<\/p>\n\n\n\n H\u00fcseyin Rahmi G\u00fcrp\u0131nar’\u0131n hayat\u0131<\/strong><\/p>\n\n\n\n H\u00fcseyin Rahmi G\u00fcrp\u0131nar, 17 A\u011fustos 1864\u2019te \u0130stanbul\u2019da do\u011fdu. H\u00fcnk\u00e2r yaveri Mehmet Sait Pa\u015fa\u2019n\u0131n o\u011flu olan H\u00fcseyin Rahmi, \u00fc\u00e7 ya\u015f\u0131ndayken annesinin \u00f6l\u00fcm\u00fc \u00fczerine babas\u0131n\u0131n bulundu\u011fu Girit\u2019e g\u00f6nderildi. \u0130lkokula burada ba\u015flad\u0131, ancak babas\u0131n\u0131n yeniden evlenmesi \u00fczerine alt\u0131 ya\u015f\u0131nda \u0130stanbul\u2019a anneannesinin yan\u0131na d\u00f6nerek e\u011fitimine devam etti. Yakuba\u011fa Mektebi, Mahmudiye R\u00fc\u015fdiyesi ve \u0130stanbul \u0130dadisi\u2019nde \u00f6\u011frenim g\u00f6ren H\u00fcseyin Rahmi, tarih\u00e7i Abdurrahman \u015eeref Bey\u2019in deste\u011fiyle Mekteb-i M\u00fclkiye\u2019ye girdi (1878). Ancak okulun ikinci s\u0131n\u0131f\u0131nda ge\u00e7irdi\u011fi ciddi bir hastal\u0131k nedeniyle \u00f6\u011frenimini yar\u0131da b\u0131rakmak zorunda kald\u0131 (1880).<\/p>\n\n\n\n K\u0131sa bir s\u00fcre Adliye Nezareti Ceza Kalemi\u2019nde memur, ard\u0131ndan Ticaret Mahkemesi\u2019nde Az\u00e2 M\u00fclaz\u0131m\u0131 olarak \u00e7al\u0131\u015fan H\u00fcseyin Rahmi, hayat\u0131n\u0131 kalemiyle kazanmaya y\u00f6neldi. 1887\u2019de Terc\u00fcman-\u0131 Hakikat gazetesinde yazmaya ba\u015flad\u0131 ve ard\u0131ndan \u0130kdam ve Sabah gazetelerinde m\u00fctercim ve muharrir olarak \u00e7al\u0131\u015ft\u0131. II. Me\u015frutiyet d\u00f6neminde 37 say\u0131 s\u00fcren Bo\u015fbo\u011faz ve G\u00fcll\u00e2bi adl\u0131 gazeteleri \u00e7\u0131kard\u0131; ayr\u0131ca \u0130brahim Hilmi Bey ile birlikte yay\u0131mlad\u0131\u011f\u0131 Millet gazetesi k\u0131sa \u00f6m\u00fcrl\u00fc oldu. 1925-1927 y\u0131llar\u0131nda yay\u0131mlanan T\u00fcrk Kad\u0131n Yolu dergisinde de yazar olarak yer ald\u0131.<\/p>\n\n\n\n H\u00fcseyin Rahmi, sonraki y\u0131llarda eserlerini ve yaz\u0131lar\u0131n\u0131 \u0130kdam, S\u00f6z, Zaman, Vakit, Son Posta, Milliyet ve Cumhuriyet gazetelerinde yay\u0131mlad\u0131. 5. ve 6. d\u00f6nemlerde T\u00fcrkiye B\u00fcy\u00fck Millet Meclisi\u2019nde K\u00fctahya milletvekili olarak g\u00f6rev yapt\u0131. Hayat\u0131n\u0131n son 31 y\u0131l\u0131n\u0131 ge\u00e7irdi\u011fi Heybeliada\u2019daki k\u00f6\u015fk\u00fcnde 8 Mart 1944 tarihinde vefat eden H\u00fcseyin Rahmi, Abbas Pa\u015fa Mezarl\u0131\u011f\u0131\u2019na defnedildi.<\/p>\n\n\n\n Unutulmaz eserleri<\/strong><\/p>\n\n\n\n Usta yazar H\u00fcseyin Hamdi G\u00fcrp\u0131nar ya\u015fam\u0131 boyunca 50’den fazla eser b\u0131rakm\u0131\u015ft\u0131r. G\u00fcrp\u0131nar’\u0131n bir ka\u00e7 yazd\u0131\u011f\u0131 tiyatro ve makale, 10-15 hikaye ve 30 civar\u0131 roman\u0131 vard\u0131r. Baz\u0131 eserlerinin filmi \u00e7ekilmi\u015ftir. En \u00f6nemli eserleri \u015f\u00f6yle: Gulyabani, \u015e\u0131k, M\u00fcrebbiye, \u0130ffet, Kad\u0131nlar Vaizi, \u0130stanbul\u2019un \u0130\u00e7 Y\u00fcz\u00fc gibi bir \u00e7ok eseri vard\u0131r.<\/p>\n\n\n\n