{"id":2401,"date":"2026-03-11T17:17:11","date_gmt":"2026-03-11T14:17:11","guid":{"rendered":"https:\/\/dbsnewsmedia.com\/?p=2401"},"modified":"2026-03-11T17:17:11","modified_gmt":"2026-03-11T14:17:11","slug":"mediha-selda-avcidan-ilk-roman-giritten-oteye-gecen-hafiza","status":"publish","type":"post","link":"https:\/\/dbsnewsmedia.com\/?p=2401","title":{"rendered":"Mediha Selda Avc\u0131\u2019dan ilk roman: Girit\u2019ten \u00d6teye Ge\u00e7en Haf\u0131za"},"content":{"rendered":"\n<p>11.03.2026   17:16<\/p>\n\n\n\n<p>Mediha Selda Avc\u0131, Remzi Kitabevi taraf\u0131ndan yay\u0131mlanan bu ilk roman\u0131nda, g\u00f6\u00e7\u00fcn yaln\u0131zca topra\u011f\u0131 de\u011fil, insan\u0131n kalbini, evini ve belle\u011fini de yerinden etti\u011fini anlat\u0131yor.<\/p>\n\n\n\n<p>Baz\u0131 romanlar vard\u0131r; daha ilk sayfalarda okura yaln\u0131zca bir hik\u00e2yeyi de\u011fil, bir evin i\u00e7ini, bir d\u00f6nemin ruhunu ve bir ailenin ta\u015f\u0131d\u0131\u011f\u0131 g\u00f6r\u00fcnmez y\u00fck\u00fc de hissettirir. Mediha Selda Avc\u0131\u2019n\u0131n Hayat\u0131n R\u00fczg\u00e2r\u0131nda Bulu\u015fmak: Girit\u2019ten \u00d6teye\u2026 adl\u0131 roman\u0131 b\u00f6yle ba\u015fl\u0131yor. M\u00fcbadele gibi tarihsel a\u011f\u0131rl\u0131\u011f\u0131 b\u00fcy\u00fck bir k\u0131r\u0131lmay\u0131, belgelerin ve resm\u00ee anlat\u0131lar\u0131n so\u011fuk y\u00fcz\u00fcnden de\u011fil, hayat\u0131n i\u00e7inden, g\u00fcndelik ayr\u0131nt\u0131lardan aktararak okuyucuya sunuyor. Bu y\u00fczden roman, yaln\u0131zca ge\u00e7mi\u015fe bakan bir d\u00f6nem eseri de\u011fil; ku\u015faklar boyunca ta\u015f\u0131nan ac\u0131lar\u0131n da hik\u00e2yesi h\u00e2line geliyor.<\/p>\n\n\n\n<p>Roman\u0131n merkezinde Eleana var. M\u00fcsl\u00fcman ve Hristiyan iki ailenin gen\u00e7leri aras\u0131nda ya\u015fanan imk\u00e2ns\u0131z bir a\u015fk\u0131n istenmeyen \u00e7ocu\u011fu olarak d\u00fcnyaya gelen Eleana, do\u011fdu\u011fu anda hayat\u0131n sertli\u011fiyle kar\u015f\u0131 kar\u015f\u0131ya kal\u0131yor. Hik\u00e2yesi zamanla tek bir insan\u0131n kaderi olmaktan \u00e7\u0131k\u0131yor; ait olamaman\u0131n, d\u0131\u015far\u0131da b\u0131rak\u0131lman\u0131n, susarak b\u00fcy\u00fcmenin ve kendine bir yer a\u00e7maya \u00e7al\u0131\u015fman\u0131n \u00f6yk\u00fcs\u00fcne d\u00f6n\u00fc\u015f\u00fcyor. Eleana, romanda sadece ba\u015f karakter de\u011fil; kendinden \u00f6nce ya\u015fanm\u0131\u015f k\u0131r\u0131lmalar\u0131n, bast\u0131r\u0131lm\u0131\u015f duygular\u0131n ve ku\u015faklar boyunca ta\u015f\u0131nan eksikli\u011fin ta\u015f\u0131y\u0131c\u0131s\u0131 olarak da duruyor.<\/p>\n\n\n\n<p>Mediha Selda Avc\u0131\u2019n\u0131n roman\u0131n\u0131 g\u00fc\u00e7l\u00fc k\u0131lan yan, m\u00fcbadelenin b\u00fcy\u00fck tarihini k\u00fc\u00e7\u00fck ayr\u0131nt\u0131larda duyurabilmesi. Seccadenin astar\u0131na gizlenmi\u015f bir dua, \u00e7eyiz sand\u0131klar\u0131, mutfakta kaynayan yemekler, ev i\u00e7indeki g\u00f6r\u00fcnmez gerilimler, anneli\u011fin yorgunlu\u011fu, kom\u015fu kap\u0131s\u0131ndan gelen sesler, kalabal\u0131k aile hayat\u0131n\u0131n daralan nefesi\u2026 Bunlar\u0131n hi\u00e7biri romanda s\u00fcs olarak yer alm\u0131yor. Tam tersine, anlat\u0131n\u0131n as\u0131l y\u00fck\u00fcn\u00fc bunlar ta\u015f\u0131yor. \u00c7\u00fcnk\u00fc g\u00f6\u00e7 bazen yaln\u0131zca bir yerden ayr\u0131lmak de\u011fildir; bir evin d\u00fczeninin, bir sofran\u0131n tad\u0131n\u0131n, bir mahallenin al\u0131\u015fkanl\u0131klar\u0131n\u0131n, hatta insan\u0131n d\u00fcnyaya bak\u0131\u015f\u0131n\u0131n da yerinden oynamas\u0131d\u0131r. Roman tam olarak bunu hissettiriyor.<\/p>\n\n\n\n<p>Kitab\u0131n ilk b\u00f6l\u00fcmlerinde kurulan aile d\u00fcnyas\u0131 ayr\u0131ca dikkat \u00e7ekici. Nesibe, Bekir, G\u00fczin Han\u0131m, \u0130hsan Bey ve \u00e7evrelerindeki hayatlar arac\u0131l\u0131\u011f\u0131yla yaln\u0131zca bir aileyi de\u011fil, bir ya\u015fam bi\u00e7imini g\u00f6r\u00fcyoruz. Kaynana ile gelin aras\u0131ndaki ince gerilim, ev i\u00e7inde kimsenin y\u00fcksek sesle s\u00f6ylemedi\u011fi hesapla\u015fmalar, sevginin k\u0131rg\u0131nl\u0131k, yorgunluk ve k\u0131skan\u00e7l\u0131kla i\u00e7 i\u00e7e ge\u00e7mesi romana sahicilik kazand\u0131r\u0131yor. \u00d6zellikle kad\u0131n karakterlerin \u00e7izili\u015finde hissedilen s\u0131cakl\u0131k \u00f6nemli; bu kad\u0131nlar yaln\u0131zca evin y\u00fck\u00fcn\u00fc ta\u015f\u0131yan fig\u00fcrler olarak kalm\u0131yor, arzular\u0131, k\u0131rg\u0131nl\u0131klar\u0131, beklentileri ve i\u00e7lerinde tuttuklar\u0131yla birlikte ya\u015f\u0131yorlar. Roman\u0131n duygusal derinli\u011fi buradan g\u00fc\u00e7 al\u0131yor.<\/p>\n\n\n\n<p>Mediha Selda Avc\u0131, Girit\u2019te M\u00fcsl\u00fcmanlarla Rumlar\u0131n bir arada kurdu\u011fu hayat\u0131 tek boyutlu bir nostaljiye d\u00fc\u015fmeden anlat\u0131yor. Bayramlar, yortular, \u00e7ocukluk arkada\u015fl\u0131klar\u0131, kar\u015f\u0131l\u0131kl\u0131 ikramlar ve ayn\u0131 mahallede s\u00fcren yan yana hayatlar\u2026 B\u00fct\u00fcn bunlar yakla\u015fan kopu\u015fun a\u011f\u0131rl\u0131\u011f\u0131n\u0131 daha da art\u0131r\u0131yor. \u00c7\u00fcnk\u00fc kaybedilen \u015fey yaln\u0131zca bir toprak par\u00e7as\u0131 de\u011fil; birlikte ya\u015faman\u0131n dili, kom\u015fulu\u011fun haf\u0131zas\u0131 ve g\u00fcndelik hayat\u0131n kurulmu\u015f dengesi de da\u011f\u0131l\u0131yor. Roman\u0131n h\u00fczn\u00fc, bu ortak d\u00fcnyan\u0131n sessizce \u00e7\u00f6z\u00fcl\u00fc\u015f\u00fcnden kaynaklan\u0131yor.<\/p>\n\n\n\n<p>Eleana\u2019n\u0131n hik\u00e2yesi roman\u0131n merkezinde olsa da anlat\u0131 tek bir hayat \u00e7evresinde daralm\u0131yor. Onun yolu \u00fczerinde beliren insanlar, aile ge\u00e7mi\u015finin b\u0131rakt\u0131\u011f\u0131 g\u00f6lgeler ve kar\u015f\u0131la\u015fmalar\u0131n a\u00e7t\u0131\u011f\u0131 yeni yar\u0131klar, roman\u0131 daha geni\u015f bir insanl\u0131k h\u00e2line ta\u015f\u0131yor. Burada \u00e7aresizlik kadar direnme g\u00fcc\u00fc, k\u0131rg\u0131nl\u0131k kadar hayata tutunma iste\u011fi de var. Umut duygusu, roman boyunca b\u00fcy\u00fck s\u00f6zlerle de\u011fil; insan\u0131n b\u00fct\u00fcn eksikliklere ra\u011fmen yeniden aya\u011fa kalkmas\u0131nda, yeniden ba\u011f kurmay\u0131 denemesinde, yaral\u0131 da olsa yoluna devam etmesinde kendini g\u00f6steriyor. Bu da metne g\u00f6steri\u015fsiz ama etkili bir duygu kat\u0131yor.<\/p>\n\n\n\n<p>Yazar\u0131n dili yer yer anlat\u0131c\u0131 bir s\u0131cakl\u0131k ta\u015f\u0131yor. Ev i\u00e7i sahnelerde, aile bireyleri aras\u0131ndaki ili\u015fkilerde ve g\u00fcndelik hayat\u0131n ak\u0131\u015f\u0131nda bu s\u0131cakl\u0131k belirginle\u015fiyor. Roman\u0131 okurken insan\u0131n akl\u0131nda yaln\u0131zca olaylar kalm\u0131yor; bir iklim kal\u0131yor. Daralan evler, b\u00fcy\u00fcyen \u00e7ocuklar, gen\u00e7li\u011fin i\u00e7te kalan hevesleri, annelerin t\u00fckeni\u015fi, erkeklerin omuzlar\u0131na \u00e7\u00f6ken sorumluluk, kom\u015fulu\u011fun s\u0131cakl\u0131\u011f\u0131 ve yakla\u015fan kayb\u0131n a\u011f\u0131r g\u00f6lgesi\u2026 \u0130\u015fte bu duygu iklimi, kitab\u0131n haf\u0131zada yer etmesini sa\u011flayan temel unsur.<\/p>\n\n\n\n<p>Hayat\u0131n R\u00fczg\u00e2r\u0131nda Bulu\u015fmak: Girit\u2019ten \u00d6teye\u2026, ilk roman olmas\u0131na ra\u011fmen sahici bir duygunun pe\u015fine d\u00fc\u015f\u00fcyor. M\u00fcbadeleyi bir tarih ba\u015fl\u0131\u011f\u0131 olarak b\u0131rakm\u0131yor; onu evin i\u00e7ine, insan\u0131n kalbine, aile ili\u015fkilerine ve ku\u015faktan ku\u015fa\u011fa ta\u015f\u0131nan eksikli\u011fe yerle\u015ftiriyor. Roman bitti\u011finde geriye yaln\u0131zca anlat\u0131lan olaylar kalm\u0131yor; ta\u015f\u0131namayan e\u015fyalar, s\u00f6ylenemeyen s\u00f6zler, yar\u0131m kalm\u0131\u015f sevdalar ve i\u00e7te b\u00fcy\u00fcyen gurbet duygusu da okurun i\u00e7inde kal\u0131yor.<\/p>\n\n\n\n<p>Mediha Selda Avc\u0131, Remzi Kitabevi etiketiyle yay\u0131mlanan bu ilk roman\u0131nda, m\u00fcbadelenin b\u00fcy\u00fck tarihini insan \u00f6l\u00e7e\u011fine indiriyor. Hayat\u0131n i\u00e7inden gelen ayr\u0131nt\u0131larla b\u00fcy\u00fcyen, yer yer h\u00fcz\u00fcnlenen ve insan\u0131n i\u00e7ine i\u015fleyen bir anlat\u0131 kuruyor. Belki de kitab\u0131n as\u0131l g\u00fcc\u00fc de burada yat\u0131yor: \u00c7\u00fcnk\u00fc baz\u0131 g\u00f6\u00e7ler, bir vapurla, bir tren yolculu\u011fuyla, bir s\u0131n\u0131r \u00e7izgisiyle bitmez. \u0130nsan\u0131n i\u00e7inde s\u00fcrer; bir bak\u0131\u015fta, bir eksiklikte veya bir susu\u015fta yeniden ortaya \u00e7\u0131kar. Hayat\u0131n R\u00fczg\u00e2r\u0131nda Bulu\u015fmak: Girit\u2019ten \u00d6teye\u2026 tam da bu uzun i\u00e7 s\u0131z\u0131s\u0131n\u0131 g\u00f6r\u00fcn\u00fcr k\u0131lan bir roman.<\/p>\n\n\n\n<p>Kaynak:<a href=\"https:\/\/www.cumhuriyet.com.tr\/kultur-sanat\/girit-ten-oteye-gecen-yalniz-insanlar-degil-hafizadir-2485905\">https:\/\/www.cumhuriyet.com.tr\/kultur-sanat\/girit-ten-oteye-gecen-yalniz-insanlar-degil-hafizadir-2485905<\/a><\/p>\n","protected":false},"excerpt":{"rendered":"<p>11.03.2026 17:16 Mediha Selda Avc\u0131, Remzi Kitabevi taraf\u0131ndan yay\u0131mlanan bu ilk roman\u0131nda, g\u00f6\u00e7\u00fcn yaln\u0131zca topra\u011f\u0131 de\u011fil, insan\u0131n kalbini, evini ve belle\u011fini de yerinden etti\u011fini anlat\u0131yor. Baz\u0131 romanlar vard\u0131r; daha ilk sayfalarda okura yaln\u0131zca bir hik\u00e2yeyi de\u011fil, bir evin i\u00e7ini, bir d\u00f6nemin ruhunu ve bir ailenin ta\u015f\u0131d\u0131\u011f\u0131 g\u00f6r\u00fcnmez y\u00fck\u00fc de hissettirir. Mediha Selda Avc\u0131\u2019n\u0131n Hayat\u0131n R\u00fczg\u00e2r\u0131nda&#8230;<\/p>\n","protected":false},"author":5,"featured_media":2402,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"_jetpack_memberships_contains_paid_content":false,"footnotes":""},"categories":[10],"tags":[888,889],"class_list":["post-2401","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-kultur-sanat","tag-mediha-selda-avci","tag-roman"],"jetpack_featured_media_url":"https:\/\/dbsnewsmedia.com\/wp-content\/uploads\/2026\/03\/12.jpg","jetpack_sharing_enabled":true,"_links":{"self":[{"href":"https:\/\/dbsnewsmedia.com\/index.php?rest_route=\/wp\/v2\/posts\/2401","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/dbsnewsmedia.com\/index.php?rest_route=\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/dbsnewsmedia.com\/index.php?rest_route=\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/dbsnewsmedia.com\/index.php?rest_route=\/wp\/v2\/users\/5"}],"replies":[{"embeddable":true,"href":"https:\/\/dbsnewsmedia.com\/index.php?rest_route=%2Fwp%2Fv2%2Fcomments&post=2401"}],"version-history":[{"count":1,"href":"https:\/\/dbsnewsmedia.com\/index.php?rest_route=\/wp\/v2\/posts\/2401\/revisions"}],"predecessor-version":[{"id":2403,"href":"https:\/\/dbsnewsmedia.com\/index.php?rest_route=\/wp\/v2\/posts\/2401\/revisions\/2403"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/dbsnewsmedia.com\/index.php?rest_route=\/wp\/v2\/media\/2402"}],"wp:attachment":[{"href":"https:\/\/dbsnewsmedia.com\/index.php?rest_route=%2Fwp%2Fv2%2Fmedia&parent=2401"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/dbsnewsmedia.com\/index.php?rest_route=%2Fwp%2Fv2%2Fcategories&post=2401"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/dbsnewsmedia.com\/index.php?rest_route=%2Fwp%2Fv2%2Ftags&post=2401"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}