{"id":5944,"date":"2026-04-11T22:12:56","date_gmt":"2026-04-11T19:12:56","guid":{"rendered":"https:\/\/dbsnewsmedia.com\/?p=5944"},"modified":"2026-04-11T22:12:56","modified_gmt":"2026-04-11T19:12:56","slug":"okurlarla-bulusan-yeni-eserler-raflarin-en-yenileri","status":"publish","type":"post","link":"https:\/\/dbsnewsmedia.com\/?p=5944","title":{"rendered":"Okurlarla Bulu\u015fan Yeni Eserler: Raflar\u0131n En Yenileri"},"content":{"rendered":"\n

11.04.2026 22:14<\/p>\n\n\n\n

Biyografiden \u00f6yk\u00fcye, ara\u015ft\u0131rmadan romana, an\u0131dan \u015fiire bu hafta da pek \u00e7ok kitap okurla bulu\u015ftu. \u0130\u015fte yeni \u00e7\u0131kan kitaplar aras\u0131ndan sizin i\u00e7in se\u00e7tiklerimiz\u2026 Keyifli okumalar\u2026<\/p>\n\n\n\n

BORGES\u2019LE YARIM ASIR<\/strong>
(Mario Vargas Llosa)<\/p>\n\n\n\n

Borges\u2019le Yar\u0131m As\u0131r Nobel \u00d6d\u00fcll\u00fc Perulu yazar Mario Vargas Llosa\u2019n\u0131n, Jorge Luis Borges\u2019le yar\u0131m y\u00fczy\u0131l\u0131 a\u015fan edebiyat, okurluk ve dostluk maceralar\u0131n\u0131n izlerini ta\u015f\u0131yor. Denemeler, s\u00f6yle\u015filer ve an\u0131lar e\u015fli\u011finde Borges\u2019in edebiyat\u0131, d\u00fc\u015f\u00fcnce tarz\u0131, al\u0131\u015fkanl\u0131klar\u0131 ve d\u00fcnyaya bak\u0131\u015f a\u00e7\u0131s\u0131 e\u015fsiz bir samimiyetle aktar\u0131l\u0131yor. Kaplanlardan labirentlere, siyasi tart\u0131\u015fmalardan edebiyat\u0131n keskin s\u0131n\u0131rlar\u0131na dek uzanan sayfalar, hem Arjantinli yazar Borges\u2019in hem de okuyucular\u0131n zihinlerinde a\u00e7\u0131lan yollar\u0131 ve labirentleri ortaya koyuyor.<\/p>\n\n\n\n

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\u00d6NCES\u0130<\/strong>
(Jehan Barbur)<\/p>\n\n\n\n

\u201cHalbuki ben, do\u011fdu\u011fumdan beri mutlu bir insand\u0131m.Huzursuz ama mutlu bir insan\u2026\u201d \u0130nsan \u00e7ocuklu\u011funa ne zaman ho\u015f\u00e7a kal der? Do\u011fan Kitap\u2019tan \u00e7\u0131kan \u2018\u00d6ncesi\u2019, \u00e7ocuklu\u011funa hi\u00e7bir zaman ho\u015f\u00e7a kal diyememi\u015f ama daha \u00e7ocuklu\u011fun ilk y\u0131llar\u0131ndan itibaren, yeti\u015fkin olman\u0131n a\u011f\u0131rl\u0131\u011f\u0131n\u0131 y\u00fcklenmi\u015f cesur ve kararl\u0131 bir k\u0131z \u00e7ocu\u011funun b\u00fcy\u00fcme hik\u00e2yesi. Bu romanda ad\u0131 ge\u00e7en ki\u015filer ve ya\u015fanan olaylar\u0131n tamam\u0131 ger\u00e7ek hayattan al\u0131nm\u0131\u015ft\u0131r. Anlat\u0131lanlar okura zaman zaman ger\u00e7ek\u00fcst\u00fc gelse de hayat\u0131n kendisi kitaplarda yazanlardan \u00e7ok daha yo\u011fun, katlanmas\u0131 bazen daha zor ve ger\u00e7ek\u00fcst\u00fcd\u00fcr. Bu roman\u0131n yazar\u0131 ve kahraman\u0131 olan Jehan Barbur, edebiyat\u0131n ve roman\u0131n s\u0131n\u0131rlar\u0131n\u0131 zorlayarak, al\u0131\u015f\u0131lm\u0131\u015f\u0131n d\u0131\u015f\u0131nda bir eserle kar\u015f\u0131m\u0131za \u00e7\u0131k\u0131yor. \u00d6ncesi, okuruyla bulu\u015ftu\u011fu andan itibaren, \u00e7ocuklu\u011funu hi\u00e7 b\u0131rakmadan b\u00fcy\u00fcyen cesur ve kararl\u0131 t\u00fcm k\u0131z \u00e7ocuklar\u0131n\u0131n hik\u00e2yesidir.<\/p>\n\n\n\n

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ARTU\u00c7KULE\u2019NIN TAPAG\u00d6Z\u2019\u00dc<\/strong>
(\u00c7a\u011fan Irmak)<\/p>\n\n\n\n

\u201cBenden hi\u00e7 kimseye bahsetme. Bu ilk sahifeyi y\u0131rt\u0131p at.\u201d Altam\u0131\u015f\u2026 Topra\u011f\u0131 insan\u0131 reddeden u\u011fursuz bir k\u00f6y. Orada, herkesin unuttu\u011fu bir k\u0131z ya\u015far. Yar\u0131m ak\u0131ll\u0131 denir ona, belki de bu y\u00fczden d\u00fcnyan\u0131n y\u00fck\u00fcn\u00fc en az o ta\u015f\u0131r. Ama g\u00fcnlerden bir g\u00fcn, peri padi\u015fah\u0131 \u00e7\u0131kar yoluna. Sonra bir \u00e7ocuk do\u011far: Tek g\u00f6zl\u00fc, bir dev kadar a\u00e7, bir \u00e7\u00f6l kadar susam\u0131\u015f, her \u015feyi hat\u0131rlayan, hi\u00e7bir \u015feyi unutmayacak olan; her lokmas\u0131nda, i\u00e7inde d\u00fcnyaya kar\u015f\u0131 b\u00fcy\u00fcyen \u00f6fkeyi besleyip doyuran\u2026 Onunla birlikte, Dokuz K\u0131ta On Okyanus\u2019un kaderi geri d\u00f6n\u00fclmez bi\u00e7imde de\u011fi\u015firken iktidar h\u0131rs\u0131, taht sevdas\u0131 ve gizli oyunlar birer birer sahneye \u00e7\u0131kar. Everest Yay\u0131nlar\u0131\u2019ndan \u00e7\u0131kan Artu\u00e7kule\u2019nin Tepeg\u00f6z\u2019\u00fc, kadim anlat\u0131c\u0131l\u0131k gelene\u011fini \u00e7a\u011fda\u015f anlat\u0131 d\u00fczlemine ta\u015f\u0131yor. \u00c7a\u011fan Irmak s\u00f6zl\u00fc k\u00fclt\u00fcr\u00fcn ritmini, destans\u0131 dili ve sert ger\u00e7ekli\u011fi bir araya getirerek, okuru hem tan\u0131d\u0131k hem de tekinsiz bir evrene davet ediyor. Bu, yaln\u0131zca bir \u201ccanavar\u0131n\u201d hik\u00e2yesi de\u011fil, onu yaratan d\u00fcnyan\u0131n da hik\u00e2yesi.<\/p>\n\n\n\n

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GE\u00c7 KALDI\u011eIMIZ HER \u015eEY G\u0130B\u0130<\/strong>
(Ekin Kadir Sel\u00e7uk)<\/p>\n\n\n\n

\u201cYaln\u0131zla\u015fmas\u0131n\u0131n nedenini anl\u0131yordu: Heves ve ne\u015fe. \u0130nsanlar hevesk\u00e2r, ne\u015feli birine tahamm\u00fcl edemiyordu. Birinin y\u00fcz\u00fcndeki \u0131\u015f\u0131lt\u0131 onlar\u0131n karanl\u0131\u011f\u0131na dokunuyordu. G\u00fcl\u00fcmseyen birini g\u00f6r\u00fcnce tedirginle\u015fiyor, bu ne\u015feyi bir t\u00fcr su\u00e7 gibi g\u00f6r\u00fcyorlard\u0131. Bu \u00fclke Ne\u015fesizler Cumhuriyeti (NC) ad\u0131n\u0131 \u00e7oktan hak etmi\u015fti\u2026\u201d Ekin Kadir Sel\u00e7uk, \u0130leti\u015fim Yay\u0131nlar\u0131\u2019ndan \u00e7\u0131kan Ge\u00e7 Kald\u0131\u011f\u0131m\u0131z Her \u015eey Gibi adl\u0131 ilk roman\u0131nda, ge\u00e7irdi\u011fi beyin kanamas\u0131 sonras\u0131 hayat\u0131 de\u011fi\u015fen, karakterinde a\u00e7\u0131lan gediklerle y\u00fczle\u015fen, hem \u00e7al\u0131\u015ft\u0131\u011f\u0131 \u00fcniversitede hem \u00f6zel ili\u015fkilerinde \u00e7\u0131kmaza giren bir akademisyenin hik\u00e2yesini anlat\u0131yor. Sel\u00e7uk, toplumdaki ve akademideki yozla\u015fmay\u0131, erkeklerin ikili ahl\u00e2k anlay\u0131\u015f\u0131n\u0131 ve erkek \u015fiddetini, hayat\u0131n her alan\u0131na sirayet eden derin mutsuzlu\u011fu ve karamsarl\u0131\u011f\u0131 bir roman kurgusu i\u00e7inde t\u00fcm \u00e7\u0131plakl\u0131\u011f\u0131yla ele al\u0131yor\u2026<\/p>\n\n\n\n

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TASMANYA<\/strong>
(Paolo Giordano)<\/p>\n\n\n\n

\u00c7a\u011fda\u015f edebiyat\u0131n en g\u00fc\u00e7l\u00fc seslerinden, Premio Strega \u00f6d\u00fcll\u00fc Paolo Giordano\u2019nun son roman\u0131 Tasmanya Kafka Kitap,\u2019tan \u00e7\u0131kt\u0131. Modern d\u00fcnyan\u0131n k\u0131r\u0131lganl\u0131klar\u0131n\u0131 bireysel bir \u00e7\u00f6k\u00fc\u015f anlat\u0131s\u0131yla i\u00e7 i\u00e7e ge\u00e7iren roman, iklim krizi, ter\u00f6r, teknolojik tehditler ve varolu\u015fsal kayg\u0131lar aras\u0131nda s\u0131k\u0131\u015fm\u0131\u015f bir zihnin haritas\u0131n\u0131 \u00e7\u0131kar\u0131yor. Tasmanya, bir yazar\u0131n g\u00f6z\u00fcnden, hem d\u00fcnyay\u0131 hem de kendi hayat\u0131n\u0131 anlamland\u0131rma \u00e7abas\u0131n\u0131n roman\u0131. D\u00fcnyan\u0131n sonuna dair kehanetlerin havada u\u00e7u\u015ftu\u011fu bir \u00e7a\u011fda, ki\u015fisel y\u0131k\u0131mlar\u0131n g\u00f6lgesinde hayatta kalma sanat\u0131na dair samimi ve sars\u0131c\u0131 bir itiraf. Tasmanya, yaln\u0131zca bir kriz roman\u0131 de\u011fil; ayn\u0131 zamanda bir ili\u015fki anatomisi. Anlat\u0131c\u0131n\u0131n e\u015fi Lorenza ile kurdu\u011fu ili\u015fki, modern a\u015fk\u0131n k\u0131r\u0131lgan do\u011fas\u0131n\u0131 g\u00f6zler \u00f6n\u00fcne seriyor. Roman, birlikte kalman\u0131n, ayr\u0131lman\u0131n ve \u201cdevam etmenin\u201d ne anlama geldi\u011fini sorguluyor. Tasmanya, co\u011frafi bir yer olmaktan \u00e7ok, bir metafor olarak okurun kar\u015f\u0131s\u0131na \u00e7\u0131k\u0131yor.<\/p>\n\n\n\n

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EDWARD SA\u0130D SONRASI ORYANTAL\u0130ZM\u0130 YEN\u0130DEN D\u00dc\u015e\u00dcNMEK

<\/strong>Vak\u0131fBank K\u00fclt\u00fcr Yay\u0131nlar\u0131 (VBKY), \u201cEdward Said Sonras\u0131 Oryantalizmi Yeniden D\u00fc\u015f\u00fcnmek\u201d adl\u0131 derlemeyi okurlarla bulu\u015fturuyor. Edward Said, yar\u0131m y\u00fczy\u0131ld\u0131r Do\u011fu ile Bat\u0131 aras\u0131ndaki bilgi, iktidar ve temsil ili\u015fkilerine dair tart\u0131\u015fmalar\u0131n merkezinde yer alan Oryantalizm isimli eserinde Avrupa\u2019n\u0131n siyasi, iktisadi ve k\u00fclt\u00fcrel \u00e7\u0131karlar\u0131yla \u015fekillenen d\u00fc\u015f\u00fcnce gelene\u011fini \u00e7\u00f6z\u00fcmlemi\u015f, mesleki uzmanl\u0131\u011f\u0131n \u00f6tesinde oryantalizmin \u00e7e\u015fitli toplumsal ve siyasal ba\u011flamlarda nas\u0131l y\u00fcr\u00fcrl\u00fckte oldu\u011funu g\u00f6steriyor. Fuat Ayd\u0131n, Mehmet Murat \u015eahin, Y\u00fccel Bulut ve Feyza Bet\u00fcl Ayd\u0131n\u2019\u0131n yay\u0131na haz\u0131rlad\u0131\u011f\u0131 bu kapsaml\u0131 \u00e7al\u0131\u015fma Said\u2019in miras\u0131n\u0131n bug\u00fcn neye d\u00f6n\u00fc\u015ft\u00fc\u011f\u00fcn\u00fc ve hangi a\u00e7\u0131lardan sorgulanabilece\u011fini ele al\u0131yor. Kitap, Said sonras\u0131 d\u00f6nemde geli\u015fen postkolonyal teorinin izleri s\u00fcr\u00fcl\u00fcrken, oryantalizmin sanat, edebiyat ve pop\u00fcler k\u00fclt\u00fcrdeki yans\u0131malar\u0131 ele al\u0131n\u0131yor. Geni\u015f bir yelpazede oryantalizm tart\u0131\u015fmalar\u0131na b\u00fct\u00fcnc\u00fcl ve ele\u015ftirel bir katk\u0131 sunuyor.<\/p>\n\n\n\n

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17 HAZ\u0130RAN<\/strong>
(Alex Schulman)<\/p>\n\n\n\n

Vidar\u2019\u0131n hayat\u0131, \u00f6\u011fretmenlik yapt\u0131\u011f\u0131 okulda kar\u0131\u015ft\u0131\u011f\u0131 bir olay ve sonras\u0131nda gelen a\u00e7\u0131\u011fa al\u0131nma karar\u0131yla alt\u00fcst olmu\u015ftur. Ancak as\u0131l sars\u0131nt\u0131, eski bir kolide ailesinin 1980\u2019lerdeki yazl\u0131k evinin numaras\u0131n\u0131 bulmas\u0131yla ba\u015flar. Vidar numaray\u0131 \u00e7evirdi\u011finde, hatt\u0131n ucunda ge\u00e7mi\u015ften bir ses yank\u0131lan\u0131r: Uzun zaman \u00f6nce \u00f6len babas\u0131n\u0131n sesi\u2026 17 Haziran 1986. Bir yaz g\u00fcn\u00fc. Bir mutfak. Bir aile. Vidar her aramada ayn\u0131 g\u00fcne ad\u0131m atar; \u00e7ocuklu\u011funun seslerini dinler, sekiz ya\u015f\u0131ndaki haline yakla\u015fmaya \u00e7al\u0131\u015f\u0131r. Hakk\u0131nda y\u00fcr\u00fct\u00fclen polis soru\u015fturmas\u0131 ve \u00fczerindeki bask\u0131 artarken belle\u011fin labirentlerinde ilerledik\u00e7e ilerler. Sordu\u011fu sorular onu hem kendi karanl\u0131\u011f\u0131yla hem de ailesinin sakl\u0131 kalm\u0131\u015f yaralar\u0131yla y\u00fczle\u015ftirecektir. Romanlar\u0131yla 30\u2019u a\u015fk\u0131n \u00fclkede okurla bulu\u015fan Alex Schulman\u2019dan, ge\u00e7mi\u015fin hayaletleriyle bug\u00fcn\u00fcn ger\u00e7eklerini birbirine d\u00fc\u011f\u00fcmleyen zamans\u0131z bir roman\u2026 Tima\u015f Yay\u0131nlar\u0131\u2019ndan \u00e7\u0131kt\u0131.<\/p>\n\n\n\n

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GEL\u0130\u015e\u0130G\u00dcZEL<\/strong>
(Can G\u00f6knil)<\/p>\n\n\n\n

Can G\u00f6knil\u2019in yeni \u00f6yk\u00fc kitab\u0131 Geli\u015fig\u00fczel Can Yay\u0131nlar\u0131 etiketiyle okurla bulu\u015fuyor. G\u00f6knil, Geli\u015fig\u00fczel\u2019de b\u00fct\u00fcn dikkati, heyecan\u0131, yaratma arzusuyla umut dolu bir d\u00fcnya d\u00fc\u015fl\u00fcyor. D\u00fcnyaya nefretle de\u011fil sevgiyle, \u00f6fkeyle de\u011fil sa\u011fduyuyla, hayal k\u0131r\u0131kl\u0131\u011f\u0131yla de\u011fil umutla bakanlar, bu \u00f6yk\u00fclerde kendilerine yeni bir direnme alan\u0131 buluyor\u2026 Geli\u015fig\u00fczel\u2019de hayata ve do\u011faya umutla bakan, d\u00fcnyayla b\u00fct\u00fcnle\u015fen insanlar\u0131 anlat\u0131yor. Birlikte olmak i\u00e7in m\u00fccadele eden, birbirine de\u011fer veren, sadece \u201cben\u201di de\u011fil \u201cbiz\u201di de d\u00fc\u015f\u00fcnen insanlar bu \u00f6yk\u00fclerde kendilerine v\u00fccut buluyor, sesini \u00e7\u0131kar\u0131p yazar\u0131n hayal d\u00fcnyas\u0131nda kendi kar\u015f\u0131l\u0131klar\u0131n\u0131 in\u015fa ediyor: \u201cBen hayal toplar\u0131m. \u0130nsanlar\u0131 anlamal\u0131 diye d\u00fc\u015f\u00fcn\u00fcr\u00fcm. Konu\u015fmalardan se\u00e7ti\u011fim s\u00f6zc\u00fckleri biriktiririm. Hayal kurar\u0131m. Yel gibidir hayaller. Bir g\u00f6r\u00fcn\u00fcr, bir yok olurlar. Biriktirmeye gelmezler. U\u00e7ucu hepsi. Kimini yakalar\u0131m. Yakalad\u0131\u011f\u0131m\u0131 g\u00f6r\u00fcn\u00fcr k\u0131lmak isterim. \u00c7izerim, boyar\u0131m, az bu\u00e7uk yazar\u0131m da.\u201d<\/p>\n\n\n\n

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TAR\u0130H \u00d6NCES\u0130NDEN ORTA \u00c7A\u011e\u2019A ATLAR

<\/strong>\u0130nsanl\u0131k tarihinin en k\u00f6kl\u00fc ortakl\u0131klar\u0131ndan biri olan insan ve at ili\u015fkisi, yaln\u0131zca ekonomik ya da asker\u00ee gerekliliklerle de\u011fil ayn\u0131 zamanda k\u00fclt\u00fcrel kimliklerin ve sembolik anlat\u0131lar\u0131n olu\u015fumuyla da \u015fekillenmi\u015ftir. Nobel Bilimsel Eserler\u2019den \u00e7\u0131kan Tarih \u00d6ncesinden Orta \u00c7a\u011f\u2019a Atlar adl\u0131 bu derleme eser, at\u0131n tarih boyunca \u00fcstlendi\u011fi rolleri farkl\u0131 disiplinlerin bak\u0131\u015f a\u00e7\u0131lar\u0131n\u0131 bulu\u015fturarak yeniden d\u00fc\u015f\u00fcnmeye davet ediyor. Eserde yer alan \u00e7al\u0131\u015fmalar, at\u0131n tarihsel ser\u00fcvenini yaln\u0131zca bir \u201cara\u00e7\u201d ya da \u201cikon\u201d olarak de\u011fil insan\u0131n \u00e7evresiyle kurdu\u011fu ili\u015fkinin aktif bir bile\u015feni olarak ele al\u0131yor. Paleolitik sanat\u0131n erken izlerinden antik uygarl\u0131klar\u0131n sembolik temsillerine ve Orta \u00c7a\u011f toplumlar\u0131n\u0131n teknolojik d\u00f6n\u00fc\u015f\u00fcmlerine kadar uzanan bu b\u00fct\u00fcnc\u00fcl inceleme, insanl\u0131k tarihindeki ilerlemenin sessiz tan\u0131\u011f\u0131 olan at\u0131 merkeze al\u0131yor.<\/p>\n\n\n\n

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TAM O SIRADA \u0130STANBUL<\/strong>
(Jale Sancak-Ay\u00e7a Erdura)<\/p>\n\n\n\n

Edebiyatla ya\u015fayan bir \u015fehir, \u015fehrin i\u00e7inde say\u0131s\u0131z hik\u00e2ye\u2026 Jale Sancak ve Ay\u00e7a Erdura, Tam O S\u0131rada \u0130stanbul ile \u0130stanbul\u2019u ya\u015fayan, konu\u015fan ve hat\u0131rlayan bir varl\u0131k olarak yeniden kuruyor. \u0130stanbul\u2019un sokaklar\u0131nda y\u00fcr\u00fcrken bir \u00f6yk\u00fcn\u00fcn i\u00e7inde d\u00fc\u015fleyebilir misiniz kendinizi? Ya da bir \u015fiirin k\u0131y\u0131s\u0131nda durup ge\u00e7mi\u015ften gelen seday\u0131 duyabilir misiniz? Tam O S\u0131rada \u0130stanbul, tam da bunu yap\u0131yor. Masa Kitap\u2019tan \u00e7\u0131kan, Jale Sancak\u2019\u0131n \u00f6yk\u00fcleri ve Ay\u00e7a Erdura\u2019n\u0131n \u015fiirleriyle \u00f6r\u00fclen kitap, \u0130stanbul\u2019u bir haf\u0131za mek\u00e2n\u0131na d\u00f6n\u00fc\u015ft\u00fcr\u00fcyor. Beyo\u011flu\u2019ndan Cibali\u2019ye, Samatya\u2019dan Galata\u2019ya uzanan bu edebi yolculukta okur, \u0130stanbul\u2019un nas\u0131l bir bellek olu\u015fturdu\u011funa \u015fahit oluyor\u2026<\/p>\n\n\n\n

Karde\u015f haber kaynak:https:\/\/gundengunenews.com\/2026\/04\/11\/okurlarla-bulusan-yeni-eserler-raflarin-en-yenileri\/<\/a><\/p>\n\n\n\n

Kaynak: https:\/\/www.haberturk.com\/haftanin-kitaplari-3876045\/10<\/a><\/p>\n\n\n\n

G\u00f6rsel: https:\/\/www.haberturk.com\/haftanin-kitaplari-3876045\/10<\/a><\/p>\n","protected":false},"excerpt":{"rendered":"

11.04.2026 22:14 Biyografiden \u00f6yk\u00fcye, ara\u015ft\u0131rmadan romana, an\u0131dan \u015fiire bu hafta da pek \u00e7ok kitap okurla bulu\u015ftu. \u0130\u015fte yeni \u00e7\u0131kan kitaplar aras\u0131ndan sizin i\u00e7in se\u00e7tiklerimiz\u2026 Keyifli okumalar\u2026 BORGES\u2019LE YARIM ASIR(Mario Vargas Llosa) Borges\u2019le Yar\u0131m As\u0131r Nobel \u00d6d\u00fcll\u00fc Perulu yazar Mario Vargas Llosa\u2019n\u0131n, Jorge Luis Borges\u2019le yar\u0131m y\u00fczy\u0131l\u0131 a\u015fan edebiyat, okurluk ve dostluk maceralar\u0131n\u0131n izlerini ta\u015f\u0131yor. Denemeler,…<\/p>\n","protected":false},"author":5,"featured_media":5945,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"_jetpack_memberships_contains_paid_content":false,"footnotes":""},"categories":[10],"tags":[],"class_list":["post-5944","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-kultur-sanat"],"jetpack_featured_media_url":"https:\/\/dbsnewsmedia.com\/wp-content\/uploads\/2026\/04\/9-1.jpg","jetpack_sharing_enabled":true,"_links":{"self":[{"href":"https:\/\/dbsnewsmedia.com\/index.php?rest_route=\/wp\/v2\/posts\/5944","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/dbsnewsmedia.com\/index.php?rest_route=\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/dbsnewsmedia.com\/index.php?rest_route=\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/dbsnewsmedia.com\/index.php?rest_route=\/wp\/v2\/users\/5"}],"replies":[{"embeddable":true,"href":"https:\/\/dbsnewsmedia.com\/index.php?rest_route=%2Fwp%2Fv2%2Fcomments&post=5944"}],"version-history":[{"count":1,"href":"https:\/\/dbsnewsmedia.com\/index.php?rest_route=\/wp\/v2\/posts\/5944\/revisions"}],"predecessor-version":[{"id":5946,"href":"https:\/\/dbsnewsmedia.com\/index.php?rest_route=\/wp\/v2\/posts\/5944\/revisions\/5946"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/dbsnewsmedia.com\/index.php?rest_route=\/wp\/v2\/media\/5945"}],"wp:attachment":[{"href":"https:\/\/dbsnewsmedia.com\/index.php?rest_route=%2Fwp%2Fv2%2Fmedia&parent=5944"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/dbsnewsmedia.com\/index.php?rest_route=%2Fwp%2Fv2%2Fcategories&post=5944"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/dbsnewsmedia.com\/index.php?rest_route=%2Fwp%2Fv2%2Ftags&post=5944"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}