{"id":7854,"date":"2026-05-02T00:39:57","date_gmt":"2026-05-01T21:39:57","guid":{"rendered":"https:\/\/dbsnewsmedia.com\/?p=7854"},"modified":"2026-05-02T00:39:57","modified_gmt":"2026-05-01T21:39:57","slug":"benbunun-kitabi-cermodernde-sanatseverlerle-bulustu","status":"publish","type":"post","link":"https:\/\/dbsnewsmedia.com\/?p=7854","title":{"rendered":"\u2018BENBU\u2019nun kitab\u0131 CerModern\u2019de sanatseverlerle bulu\u015ftu"},"content":{"rendered":"\n<p>02.05.2026 00:40<\/p>\n\n\n\n<h3 class=\"wp-block-heading\">H\u00fcsamettin Ko\u00e7an\u2019\u0131n CerModern\u2019de a\u00e7\u0131lan \u201cBENBU\u201d sergisi kapsam\u0131nda haz\u0131rlanan kitap, 29 Nisan\u2019da d\u00fczenlenen lansmanla tan\u0131t\u0131ld\u0131. Ko\u00e7an\u2019\u0131n sanat yolculu\u011funu, Baks\u0131\u2019dan bug\u00fcne uzanan bellek aray\u0131\u015f\u0131n\u0131 ve insan\u0131n kendi \u00f6yk\u00fcs\u00fcne sahip \u00e7\u0131kma d\u00fc\u015f\u00fcncesini merkeze alan bulu\u015fmada \u015eebnem K\u0131rmac\u0131 ve Sunay Demircan da konu\u015fmalar\u0131yla yer ald\u0131. Kitab\u0131n foto\u011fraflar\u0131 Selcen Karatay imzas\u0131n\u0131 ta\u015f\u0131yor.<\/h3>\n\n\n\n<p>Ankara CerModern, 29 Nisan \u00c7ar\u015famba g\u00fcn\u00fc saat 15.00\u2019te H\u00fcsamettin Ko\u00e7an\u2019\u0131n \u201cBENBU\u201d sergisi kapsam\u0131nda haz\u0131rlanan kitab\u0131n lansman\u0131na ev sahipli\u011fi yapt\u0131. 10 Mart\u2019ta a\u00e7\u0131lan ve 3 May\u0131s\u2019a kadar izleyiciyle bulu\u015fak olan sergi, Ko\u00e7an\u2019\u0131n uzun y\u0131llara yay\u0131lan sanat ser\u00fcvenini; kimlik, aidiyet, g\u00f6\u00e7, toprak, haf\u0131za ve insan\u0131n kendisiyle kurdu\u011fu i\u00e7 konu\u015fma \u00fczerinden g\u00f6r\u00fcn\u00fcr k\u0131l\u0131yor.<\/p>\n\n\n\n<p>\u201cBENBU\u201d, daha ad\u0131ndan ba\u015flayarak izleyiciyi yal\u0131n ama derin bir soruyla kar\u015f\u0131 kar\u015f\u0131ya b\u0131rak\u0131yor: \u0130nsan kendini neyle tan\u0131r, neyle kurar, hangi ge\u00e7mi\u015fin i\u00e7inden bug\u00fcne gelir? H\u00fcsamettin Ko\u00e7an\u2019\u0131n sanat\u0131nda bu soru, yaln\u0131z ki\u015fisel bir aray\u0131\u015f olarak kalm\u0131yor; Anadolu\u2019nun k\u00fclt\u00fcrel katmanlar\u0131yla, Cumhuriyet\u2019in a\u00e7t\u0131\u011f\u0131 e\u011fitim olanaklar\u0131yla, k\u00f6yden kente uzanan hayat deneyimleriyle ve sanat\u0131n toplumsal sorumlulu\u011fuyla birle\u015fiyor.<\/p>\n\n\n\n<p>Kitap lansman\u0131 da bu d\u00fc\u015f\u00fcnsel zemini geni\u015fleten, serginin g\u00f6rsel d\u00fcnyas\u0131n\u0131 s\u00f6zle, an\u0131yla ve tan\u0131kl\u0131kla tamamlayan bir bulu\u015fmaya d\u00f6n\u00fc\u015ft\u00fc. Ko\u00e7an, konu\u015fmas\u0131nda \u00e7ocukluk y\u0131llar\u0131ndan ailesinin e\u011fitim konusundaki kararl\u0131l\u0131\u011f\u0131na, sanatla kurdu\u011fu ba\u011fdan Baks\u0131 M\u00fczesi\u2019nin kurulu\u015f felsefesine kadar uzanan geni\u015f bir hat \u00e7izdi. Onun anlat\u0131s\u0131nda ki\u015fisel tarih, yaln\u0131zca bireysel bir ge\u00e7mi\u015f de\u011fil; T\u00fcrkiye\u2019nin modernle\u015fme ser\u00fcveniyle, Cumhuriyet\u2019in insan yeti\u015ftirme \u00fclk\u00fcs\u00fcyle ve k\u00fclt\u00fcr\u00fcn d\u00f6n\u00fc\u015ft\u00fcr\u00fcc\u00fc g\u00fcc\u00fcyle birlikte anlam kazand\u0131.<\/p>\n\n\n\n<p>Ko\u00e7an\u2019\u0131n konu\u015fmas\u0131nda en g\u00fc\u00e7l\u00fc vurgulardan biri, insan\u0131n kendi \u00f6yk\u00fcs\u00fcne sahip \u00e7\u0131kmas\u0131yd\u0131. Ona g\u00f6re bireyin kendi s\u00f6z\u00fcn\u00fc kurabilmesi, ya\u015fad\u0131klar\u0131n\u0131 bir deneyime, deneyimini de ortak haf\u0131zaya d\u00f6n\u00fc\u015ft\u00fcrebilmesi b\u00fcy\u00fck \u00f6nem ta\u015f\u0131yor. Sanat\u0131n burada \u00fcstlendi\u011fi g\u00f6rev, unutmaya kar\u015f\u0131 direnmek; ki\u015fisel olan\u0131 toplumsal belle\u011fin i\u00e7ine yerle\u015ftirmek ve insan\u0131 edilgen bir izleyici olmaktan \u00e7\u0131kar\u0131p kendi hayat\u0131n\u0131n \u00f6znesi h\u00e2line getirmek.<\/p>\n\n\n\n<p>Bu bak\u0131mdan \u201cBENBU\u201d, yaln\u0131zca bir sergi yay\u0131n\u0131 de\u011fil; Ko\u00e7an\u2019\u0131n kendisiyle, do\u011fdu\u011fu co\u011frafyayla, e\u011fitimiyle, toplumsal sorumluluk duygusuyla ve sanata y\u00fckledi\u011fi anlamla kurdu\u011fu uzun soluklu ili\u015fkinin kitab\u0131 olarak da okunuyor.<\/p>\n\n\n\n<p>Lansmanda Baks\u0131 M\u00fczesi\u2019nin anlam\u0131 da \u00f6zel bir yer tuttu. Bayburt\u2019un Bayraktar k\u00f6y\u00fcnde, merkezin uza\u011f\u0131nda kurulan Baks\u0131, Ko\u00e7an\u2019\u0131n sanat d\u00fc\u015f\u00fcncesinde yaln\u0131zca bir m\u00fcze de\u011fil; yerelin bilgisini \u00e7a\u011fda\u015f sanatla bulu\u015fturan, g\u00f6\u00e7le eksilen haf\u0131zay\u0131 yeniden \u00e7a\u011f\u0131ran, kad\u0131n eme\u011fini ve geleneksel \u00fcretimi g\u00f6r\u00fcn\u00fcr k\u0131lan bir k\u00fclt\u00fcr alan\u0131 olarak \u00f6ne \u00e7\u0131k\u0131yor. Ko\u00e7an\u2019\u0131n s\u00f6zlerinde Baks\u0131, ge\u00e7mi\u015fe kapanan nostaljik bir bak\u0131\u015f de\u011fil; bug\u00fcnden gelece\u011fe do\u011fru kurulan canl\u0131 bir ba\u011f olarak yer ald\u0131.<\/p>\n\n\n\n<p><a target=\"_blank\" rel=\"noreferrer noopener\"><\/a><\/p>\n\n\n\n<p><a target=\"_blank\" rel=\"noreferrer noopener\"><\/a><a target=\"_blank\" rel=\"noreferrer noopener\"><strong>Maximum\u2019dan MaxiPuan f\u0131rsat\u0131!<\/strong>Shell\u2019de 350 TL\u2019ye varan MaxiPuan<strong>T\u00fcrkiye \u0130\u015f Bankas\u0131<\/strong><\/a><\/p>\n\n\n\n<p><a href=\"https:\/\/popup.taboola.com\/tr\/?template=colorbox&amp;utm_source=cumhuriyetgazetesi&amp;utm_medium=referral&amp;utm_content=thumbs-ma-01:Mid%20Article:\" rel=\"noreferrer noopener\" target=\"_blank\"><\/a><\/p>\n\n\n\n<figure class=\"wp-block-image\"><img decoding=\"async\" src=\"https:\/\/media.cumhuriyet.com.tr\/Archive\/98d09724-b68d-4a5e-90a6-78fa2fe72d7e.jpeg\" alt=\"Image\"\/><\/figure>\n\n\n\n<p>Kad\u0131nlar\u0131n \u00fcretim i\u00e7indeki varl\u0131\u011f\u0131 da konu\u015fman\u0131n \u00f6nemli ba\u015fl\u0131klar\u0131ndand\u0131. Ko\u00e7an, kad\u0131n eme\u011finin g\u00f6r\u00fcn\u00fcr k\u0131l\u0131nmas\u0131n\u0131, temsil kanallar\u0131n\u0131n g\u00fc\u00e7lendirilmesini ve yerel \u00fcretimin \u00e7a\u011fda\u015f sanatla ili\u015fkilendirilmesini k\u00fclt\u00fcrel s\u00fcreklili\u011fin vazge\u00e7ilmez unsurlar\u0131 aras\u0131nda de\u011ferlendirdi. Bu yakla\u015f\u0131m, Baks\u0131\u2019n\u0131n yaln\u0131zca sergi mek\u00e2n\u0131 de\u011fil, ayn\u0131 zamanda toplumsal bir d\u00fc\u015f\u00fcnce alan\u0131 oldu\u011funu da g\u00f6steriyor.<\/p>\n\n\n\n<p>Kitab\u0131n haz\u0131rlanma s\u00fcrecine ili\u015fkin anlat\u0131lanlar ise lansmana ayr\u0131 bir derinlik katt\u0131. Ko\u00e7an, kitab\u0131n tek ki\u015finin eme\u011fiyle ortaya \u00e7\u0131kmad\u0131\u011f\u0131n\u0131; foto\u011fraf\u00e7\u0131s\u0131ndan tasar\u0131mc\u0131s\u0131na, edit\u00f6r\u00fcnden yay\u0131n s\u00fcrecine katk\u0131 sunan herkese uzanan kolektif bir \u00e7al\u0131\u015fman\u0131n \u00fcr\u00fcn\u00fc oldu\u011funu vurgulad\u0131. B\u00f6ylece kitap, sanat\u00e7\u0131n\u0131n ki\u015fisel yolculu\u011funu anlat\u0131rken ayn\u0131 zamanda ortak eme\u011fin, dayan\u0131\u015fman\u0131n ve \u00e7ok sesli \u00fcretimin de izlerini ta\u015f\u0131d\u0131.<\/p>\n\n\n\n<p>\u015eebnem K\u0131rmac\u0131 ve Sunay Demircan\u2019\u0131n katk\u0131lar\u0131yla ilerleyen s\u00f6yle\u015fide sanat\u0131n yaln\u0131zca estetik bir alan olmad\u0131\u011f\u0131; insan\u0131n kendini, ya\u015fad\u0131\u011f\u0131 toplumu ve zaman\u0131n\u0131 anlama bi\u00e7imi oldu\u011fu \u00fczerinde duruldu. Konu\u015fmalarda adanm\u0131\u015fl\u0131k, masumiyet, ortak ama\u00e7, e\u011fitim, k\u00fclt\u00fcrel sorumluluk ve gelece\u011fe iz b\u0131rakma d\u00fc\u015f\u00fcncesi \u00f6ne \u00e7\u0131kt\u0131.<\/p>\n\n\n\n<p>Lansmanda T\u00fcrkiye\u2019de k\u00fclt\u00fcr-sanat alan\u0131ndaki destek mekanizmalar\u0131 ve mesenlik k\u00fclt\u00fcr\u00fcn\u00fcn eksikli\u011fi de g\u00fcndeme geldi. Ko\u00e7an, sanat\u0131n yaln\u0131zca sanat\u00e7\u0131n\u0131n ki\u015fisel \u00e7abas\u0131yla ayakta kalamayaca\u011f\u0131n\u0131; kurumlar\u0131n, bireylerin ve k\u00fclt\u00fcrel sorumluluk duyan \u00e7evrelerin katk\u0131s\u0131yla b\u00fcy\u00fcyebilece\u011fini dile getirdi. Bu y\u00f6n\u00fcyle bulu\u015fma, bir kitap tan\u0131t\u0131m\u0131n\u0131n \u00f6tesine ge\u00e7erek T\u00fcrkiye\u2019de sanat\u0131n, e\u011fitimin ve k\u00fclt\u00fcr politikalar\u0131n\u0131n gelece\u011fi \u00fczerine d\u00fc\u015f\u00fcnmeye a\u00e7\u0131lan bir konu\u015fma alan\u0131 yaratt\u0131.<\/p>\n\n\n\n<p>\u201cBENBU\u201d sergisi, \u015eamanizm\u2019den Sel\u00e7uklu\u2019ya, Osmanl\u0131\u2019n\u0131n k\u00fclt\u00fcrel katmanlar\u0131ndan Cumhuriyet\u2019e uzanan geni\u015f bir haf\u0131za alan\u0131 a\u00e7\u0131yor. Anadolu bozk\u0131r\u0131n\u0131n renkleri, topra\u011f\u0131n dokusu ve \u00e7a\u011fda\u015f malzeme aray\u0131\u015flar\u0131 Ko\u00e7an\u2019\u0131n sanat\u0131nda ayn\u0131 d\u00fc\u015f\u00fcnsel hatta bulu\u015fuyor. Toprak, boya, cam alt\u0131, silikon, dijital bask\u0131, seramik ve metal gibi farkl\u0131 malzemeler, sanat\u00e7\u0131n\u0131n elinde ge\u00e7mi\u015fle bug\u00fcn aras\u0131nda duyarl\u0131 bir ba\u011fa d\u00f6n\u00fc\u015f\u00fcyor. Bu \u00e7e\u015fitlilik, Ko\u00e7an\u2019\u0131n bi\u00e7imsel aray\u0131\u015ftan \u00e7ok anlatmak istedi\u011fi meselenin ruhuna odaklanan sanat anlay\u0131\u015f\u0131n\u0131 g\u00f6r\u00fcn\u00fcr k\u0131l\u0131yor.<\/p>\n\n\n\n<p>CerModern\u2019de ger\u00e7ekle\u015fen lansman, H\u00fcsamettin Ko\u00e7an\u2019\u0131n sanat\u0131n\u0131 yaln\u0131zca yap\u0131tlar \u00fczerinden de\u011fil; hayat, bellek, emek ve sorumluluk kavramlar\u0131yla birlikte d\u00fc\u015f\u00fcnme olana\u011f\u0131 sundu. \u201cBENBU\u201dnun kitab\u0131, bu anlamda serginin g\u00f6rsel d\u00fcnyas\u0131n\u0131 derinle\u015ftiren, sanat\u00e7\u0131n\u0131n ki\u015fisel hik\u00e2yesini toplumsal haf\u0131zaya ba\u011flayan kal\u0131c\u0131 bir tan\u0131kl\u0131k olarak sanatseverlerle bulu\u015ftu.<\/p>\n\n\n\n<p>Karde\u015f haber kaynak:<a href=\"https:\/\/opennewsmedia.com\/2026\/05\/01\/benbunun-kitabi-cermodernde-sanatseverlerle-bulustu\/\">https:\/\/opennewsmedia.com\/2026\/05\/01\/benbunun-kitabi-cermodernde-sanatseverlerle-bulustu\/<\/a><\/p>\n\n\n\n<p>Kaynak Ve G\u00f6rsel Kaynak:<a href=\"https:\/\/www.cumhuriyet.com.tr\/kultur-sanat\/benbu-nun-kitabi-cermodern-de-sanatseverlerle-bulustu-2500161\">https:\/\/www.cumhuriyet.com.tr\/kultur-sanat\/benbu-nun-kitabi-cermodern-de-sanatseverlerle-bulustu-2500161<\/a><\/p>\n","protected":false},"excerpt":{"rendered":"<p>02.05.2026 00:40 H\u00fcsamettin Ko\u00e7an\u2019\u0131n CerModern\u2019de a\u00e7\u0131lan \u201cBENBU\u201d sergisi kapsam\u0131nda haz\u0131rlanan kitap, 29 Nisan\u2019da d\u00fczenlenen lansmanla tan\u0131t\u0131ld\u0131. Ko\u00e7an\u2019\u0131n sanat yolculu\u011funu, Baks\u0131\u2019dan bug\u00fcne uzanan bellek aray\u0131\u015f\u0131n\u0131 ve insan\u0131n kendi \u00f6yk\u00fcs\u00fcne sahip \u00e7\u0131kma d\u00fc\u015f\u00fcncesini merkeze alan bulu\u015fmada \u015eebnem K\u0131rmac\u0131 ve Sunay Demircan da konu\u015fmalar\u0131yla yer ald\u0131. Kitab\u0131n foto\u011fraflar\u0131 Selcen Karatay imzas\u0131n\u0131 ta\u015f\u0131yor. Ankara CerModern, 29 Nisan \u00c7ar\u015famba g\u00fcn\u00fc&#8230;<\/p>\n","protected":false},"author":5,"featured_media":7855,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"_jetpack_memberships_contains_paid_content":false,"footnotes":""},"categories":[10],"tags":[2397],"class_list":["post-7854","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-kultur-sanat","tag-benbu"],"jetpack_featured_media_url":"https:\/\/dbsnewsmedia.com\/wp-content\/uploads\/2026\/05\/69.webp","jetpack_sharing_enabled":true,"_links":{"self":[{"href":"https:\/\/dbsnewsmedia.com\/index.php?rest_route=\/wp\/v2\/posts\/7854","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/dbsnewsmedia.com\/index.php?rest_route=\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/dbsnewsmedia.com\/index.php?rest_route=\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/dbsnewsmedia.com\/index.php?rest_route=\/wp\/v2\/users\/5"}],"replies":[{"embeddable":true,"href":"https:\/\/dbsnewsmedia.com\/index.php?rest_route=%2Fwp%2Fv2%2Fcomments&post=7854"}],"version-history":[{"count":1,"href":"https:\/\/dbsnewsmedia.com\/index.php?rest_route=\/wp\/v2\/posts\/7854\/revisions"}],"predecessor-version":[{"id":7856,"href":"https:\/\/dbsnewsmedia.com\/index.php?rest_route=\/wp\/v2\/posts\/7854\/revisions\/7856"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/dbsnewsmedia.com\/index.php?rest_route=\/wp\/v2\/media\/7855"}],"wp:attachment":[{"href":"https:\/\/dbsnewsmedia.com\/index.php?rest_route=%2Fwp%2Fv2%2Fmedia&parent=7854"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/dbsnewsmedia.com\/index.php?rest_route=%2Fwp%2Fv2%2Fcategories&post=7854"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/dbsnewsmedia.com\/index.php?rest_route=%2Fwp%2Fv2%2Ftags&post=7854"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}