{"id":8678,"date":"2026-05-10T20:44:33","date_gmt":"2026-05-10T17:44:33","guid":{"rendered":"https:\/\/dbsnewsmedia.com\/?p=8678"},"modified":"2026-05-10T20:44:33","modified_gmt":"2026-05-10T17:44:33","slug":"abdde-tarihi-deney-unlu-piyanistin-beyin-dalgalari-eszamanli-olarak-ekrana-yansitildi","status":"publish","type":"post","link":"https:\/\/dbsnewsmedia.com\/?p=8678","title":{"rendered":"ABD’de tarihi deney: \u00dcnl\u00fc piyanistin beyin dalgalar\u0131 e\u015fzamanl\u0131 olarak ekrana yans\u0131t\u0131ld\u0131"},"content":{"rendered":"\n

Piyanist Nicolas Namoradze\u2019nin beyin aktiviteleri, Debussy\u2019den Beethoven\u2019a uzanan bir resital s\u0131ras\u0131nda ekrana yans\u0131t\u0131ld\u0131. Deney, m\u00fczi\u011fi dinleyen de\u011fil, sahnede \u00e7alan sanat\u00e7\u0131n\u0131n beyninde neler ya\u015fand\u0131\u011f\u0131n\u0131 g\u00f6r\u00fcn\u00fcr k\u0131ld\u0131.
Piyanist<\/a> Nicolas Namoradze, klasik m\u00fczik ile n\u00f6robilimi ayn\u0131 sahnede bulu\u015fturan s\u0131ra d\u0131\u015f\u0131 bir deneyin merkezine yerle\u015fti. Sanat\u00e7\u0131 piyano<\/a> \u00e7alarken beynindeki elektriksel aktiviteler kaydedildi; ortaya \u00e7\u0131kan g\u00f6r\u00fcnt\u00fcler, bir konser s\u0131ras\u0131nda m\u00fczisyenin zihninde neler ya\u015fand\u0131\u011f\u0131na dair bug\u00fcne kadarki en dikkat \u00e7ekici verilerden birini sundu.<\/p>\n\n\n\n

The New York Times\u2019\u0131n izledi\u011fi \u00e7al\u0131\u015fmada, San Francisco\u2019daki California \u00dcniversitesi\u2019nde d\u00fczenlenen n\u00f6robilim konferans\u0131nda Namoradze\u2019nin beyin<\/a>aktivitesi, sahnedeki performansla birlikte dev ekrana yans\u0131t\u0131ld\u0131.<\/p>\n\n\n\n

Sahnede Klasik M\u00fczik, Ekranda Zihnin R\u00f6ntgeni<\/h2>\n\n\n\n

Kas\u0131m ay\u0131nda San Francisco\u2019daki California \u00dcniversitesi\u2019nin karanl\u0131k bir oditoryumunda Nicolas Namoradze, Debussy\u2019den sakin bir par\u00e7a \u00e7alarken sahnenin \u00fczerindeki ekranda piyanistin beyni g\u00f6r\u00fcnt\u00fclendi. Farkl\u0131 dalga boylar\u0131ndaki elektriksel aktiviteleri temsil eden ye\u015fil ve mavi renkler, her akorla birlikte belirip ses s\u00f6n\u00fcmlendik\u00e7e da\u011f\u0131ld\u0131.<\/p>\n\n\n\n

Resital Debussy\u2019nin ard\u0131ndan Bach<\/a>, Beethoven ve Scriabin eserleriyle devam etti. Ekrandaki sinyaller, beynin farkl\u0131 b\u00f6lgeleri aras\u0131nda gidip gelen, zaman zaman iki yar\u0131m k\u00fcrede ayn\u0131 anda parlayan karma\u015f\u0131k bir koreografi olu\u015fturdu.<\/p>\n\n\n\n

G\u00f6r\u00fcnt\u00fc, izleyici i\u00e7in b\u00fcy\u00fcleyici bir sahne unsuruydu. Ara\u015ft\u0131rmac\u0131lar i\u00e7inse bundan fazlas\u0131yd\u0131: Bu deney, uzun s\u00fcredir bilimsel ara\u015ft\u0131rmalar\u0131n d\u0131\u015f\u0131nda kalan bir alan\u0131, yani m\u00fczi\u011fin dinleyicinin de\u011fil, icrac\u0131n\u0131n beynini nas\u0131l harekete ge\u00e7irdi\u011fini g\u00f6r\u00fcn\u00fcr k\u0131l\u0131yordu.<\/p>\n\n\n\n

Zihnin Piyano Tu\u015flar\u0131ndaki Dijital \u0130zi<\/strong><\/p>\n\n\n\n

UCSF Neuroscape laboratuvar\u0131ndan n\u00f6robilimci Theodore Zanto, deneyin ard\u0131ndan yapt\u0131\u011f\u0131 de\u011ferlendirmede \u015fa\u015fk\u0131nl\u0131\u011f\u0131n\u0131 ve heyecan\u0131n\u0131 \u201cBu muhtemelen bir piyano resitali s\u0131ras\u0131nda beyinde olup bitenlerin ger\u00e7ek zamanl\u0131 en m\u00fckemmel temsili.\u201d s\u00f6zleriyle anlatt\u0131.<\/p>\n\n\n\n

Bilim insanlar\u0131 uzun s\u00fcredir m\u00fczi\u011fi beyni anlamak i\u00e7in g\u00fc\u00e7l\u00fc bir ara\u00e7 olarak g\u00f6r\u00fcyor. \u00c7\u00fcnk\u00fc m\u00fczik; alg\u0131, hareket, haf\u0131za, dikkat ve duyguyu ayn\u0131 anda devreye sokan nadir insan faaliyetlerinden biri. \u00dcstelik belli bir zamana yay\u0131l\u0131yor, s\u00fcrekli \u00f6ng\u00f6r\u00fc ve uyum gerektiriyor.<\/p>\n\n\n\n

Ara\u015ft\u0131rmalar \u00f6zellikle ritim \u00fczerine yo\u011funla\u015fm\u0131\u015f durumda. Ritim; dil geli\u015fimi, motor koordinasyon ve beyin sa\u011fl\u0131\u011f\u0131yla kurdu\u011fu ba\u011flar nedeniyle n\u00f6robilimin ilgi alan\u0131nda. Ancak temel soru uzun s\u00fcre yan\u0131ts\u0131z kald\u0131: Bir m\u00fczisyen \u00e7alarken beyninde tam olarak ne oluyor?<\/p>\n\n\n\n

Bilim ve Sanat\u0131n \u00c7\u0131kmaz\u0131: Hareket Sorunu<\/h2>\n\n\n\n

Bu sorunun cevaplanamamas\u0131n\u0131n nedeni b\u00fcy\u00fck \u00f6l\u00e7\u00fcde teknik zorluklard\u0131. Fonksiyonel manyetik rezonans g\u00f6r\u00fcnt\u00fcleme gibi geleneksel y\u00f6ntemler, ki\u015finin taray\u0131c\u0131 i\u00e7inde tamamen hareketsiz durmas\u0131n\u0131 gerektiriyor. Bu da canl\u0131 bir piyano performans\u0131n\u0131 neredeyse imkans\u0131z hale getiriyor.<\/p>\n\n\n\n

Elektroensefalografi yani EEG ba\u015fl\u0131klar\u0131 daha do\u011fal ko\u015fullarda veri toplamaya izin verse de ba\u015fka bir sorun ortaya \u00e7\u0131k\u0131yor: Sanat\u00e7\u0131n\u0131n ayn\u0131 eseri defalarca, milisaniye hassasiyetinde tekrar etmesi gerekiyor. Aksi halde m\u00fczikle ba\u011flant\u0131l\u0131 beyin sinyalleri, kas hareketleri, d\u0131\u015f uyaranlar veya bedensel ba\u015fka s\u00fcre\u00e7lerden kaynaklanan elektriksel \u201cg\u00fcr\u00fclt\u00fc\u201d i\u00e7inde kayboluyor.<\/p>\n\n\n\n

Calgary \u00dcniversitesi\u2019nden n\u00f6robilimci Andrea Protzner, bu zorlu\u011fu \u201cEEG milisaniye hassasiyetindedir.\u201d s\u00f6zleriyle \u00f6zetledi.<\/p>\n\n\n\n

Protzner\u2019a g\u00f6re ayn\u0131 kayd\u0131 tekrar tekrar dinleyen bir dinleyici \u00fczerinde \u00e7al\u0131\u015fmak bu y\u00fczden g\u00f6rece kolay. Ancak i\u015f piyaniste geldi\u011finde tablo tamamen de\u011fi\u015fiyor. \u201cBir yorumcuyla bu inan\u0131lmaz derecede zor.\u201d diyor Protzner.<\/p>\n\n\n\n

Hem Virt\u00fc\u00f6z Hem Bilim \u0130nsan\u0131: Nicolas Namoradze<\/h2>\n\n\n\n

Deneyi m\u00fcmk\u00fcn k\u0131lan isim 33 ya\u015f\u0131ndaki Nicolas Namoradze oldu. 2018 Honens Uluslararas\u0131 Piyano Yar\u0131\u015fmas\u0131\u2019n\u0131n kazanan\u0131 olan Namoradze, pandemi d\u00f6neminde n\u00f6ropsikoloji e\u011fitimi ald\u0131. Hem \u00fcst d\u00fczey bir piyanist hem de n\u00f6robilim bilgisine sahip olmas\u0131, ara\u015ft\u0131rman\u0131n y\u00f6ntemini de\u011fi\u015ftiren unsur haline geldi.<\/p>\n\n\n\n

Namoradze, \u201ccam beyin\u201d ad\u0131 verilen g\u00f6rselle\u015ftirme sistemini kullanan ilk m\u00fczisyen de\u011fil. Grateful Dead\u2019in davulcusu Mickey Hart da bu teknolojiden Las Vegas\u2019taki Sphere\u2019de ve New York\u2019taki Hayden Planetarium\u2019da sahne \u00fczerinde yararlanm\u0131\u015ft\u0131. Ancak Namoradze\u2019nin amac\u0131 yaln\u0131zca sahne etkisi yaratmak de\u011fildi. Farkl\u0131 yap\u0131ya ve duygu d\u00fcnyas\u0131na sahip eserleri \u00e7alarken beynindeki aktivite de\u011fi\u015fimlerini bilimsel olarak kayda ge\u00e7irmek istiyordu.<\/p>\n\n\n\n

\u0130lk ba\u015fta ara\u015ft\u0131rmac\u0131lar bu fikre mesafeli yakla\u015ft\u0131. Namoradze, San Francisco\u2019daki resital g\u00fcn\u00fcnde d\u00fczenlenen konferansta Theodore Zanto\u2019nun ilk tepkisini \u015f\u00f6yle aktard\u0131:<\/p>\n\n\n\n

\u201cBu ‘pop bilim’. E\u011flenceli ama ger\u00e7ek bir ara\u015ft\u0131rma de\u011fil.\u201d<\/p>\n\n\n\n

Kendi Hayaletini Parmaklar\u0131yla Canland\u0131rd\u0131<\/h2>\n\n\n\n

Deneyin k\u0131r\u0131lma noktas\u0131 Steinway Spirio adl\u0131 otomatik piyano oldu. Bu sistem, bir performans\u0131n t\u00fcm ayr\u0131nt\u0131lar\u0131n\u0131 kaydedip ayn\u0131 vuru\u015flarla yeniden \u00e7alabiliyor.<\/p>\n\n\n\n

Namoradze \u00f6nce Andrea Protzner\u2019\u0131n laboratuvar\u0131nda EEG ba\u015fl\u0131\u011f\u0131 takarak program\u0131n\u0131 kaydetti. Ard\u0131ndan otomatik piyano ayn\u0131 performans\u0131 yeniden \u00e7alarken, o da parmaklar\u0131yla kendi kayd\u0131na e\u015flik etti; bir anlamda parmaklar\u0131yla playback yapt\u0131.<\/p>\n\n\n\n

Bu y\u00f6ntem, ara\u015ft\u0131rmac\u0131lar\u0131n ayn\u0131 performans\u0131 defalarca milisaniye d\u00fczeyinde hizalamas\u0131n\u0131 sa\u011flad\u0131. B\u00f6ylece m\u00fczikle ba\u011flant\u0131l\u0131 beyin sinyalleri, di\u011fer elektriksel hareketlerden daha net bi\u00e7imde ayr\u0131\u015ft\u0131r\u0131labildi.<\/p>\n\n\n\n

Namoradze bu deneyimi \u015fu s\u00f6zlerle anlatt\u0131:<\/p>\n\n\n\n

\u201cSonunda \u00e7almad\u0131\u011f\u0131m\u0131 unutuyordum. Kaslar\u0131m ayn\u0131 \u015feyi yap\u0131yordu, ayn\u0131 \u015feyi duyuyordum. Kendi hayaletimi bedenimde canland\u0131r\u0131yordum.\u201d<\/p>\n\n\n\n

\"Piyanist<\/figure>\n\n\n\n


Notalar De\u011fi\u015ftik\u00e7e Zihnin Rengi de De\u011fi\u015fti<\/strong><\/p>\n\n\n\n

San Francisco\u2019daki \u201cn\u00f6r\u00f6resital\u201d, bir konser-konferans olarak tasarland\u0131. Sahnede canl\u0131 performans s\u00fcrerken, Calgary\u2019deki laboratuvar seanslar\u0131nda elde edilen beyin g\u00f6r\u00fcnt\u00fcleri ekrana yans\u0131t\u0131ld\u0131. Namoradze zaman zaman videoyu durdurarak g\u00f6rd\u00fc\u011f\u00fcn\u00fc d\u00fc\u015f\u00fcnd\u00fc\u011f\u00fc \u00f6r\u00fcnt\u00fcleri anlatt\u0131.<\/p>\n\n\n\n

Debussy\u2019de daha yumu\u015fak aktivite ge\u00e7i\u015fleri, Bach\u2019ta farkl\u0131 beyin b\u00f6lgeleri aras\u0131nda karma\u015f\u0131k koordinasyonlar, Beethoven\u2019da ise beklenti ile icra aras\u0131nda yo\u011funla\u015fan duygusal patlamalar dikkat \u00e7ekti.<\/p>\n\n\n\n

En ilgin\u00e7 g\u00f6zlemlerden biri Scriabin eserlerinde yap\u0131ld\u0131. Scriabin\u2019in m\u00fczi\u011fi s\u0131ras\u0131nda g\u00f6rsel i\u015flemeyle ili\u015fkili oksipital lobda belirgin bir hareketlilik g\u00f6r\u00fcld\u00fc. Scriabin\u2019in sesleri renklerle ili\u015fkilendirdi\u011fi bilinen sinestezi<\/a> \u00f6zelli\u011fi, bu bulgunun yorumlanmas\u0131nda akla gelen ilk ba\u015fl\u0131klardan biri oldu.<\/p>\n\n\n\n

\"Piyanist<\/figure>\n\n\n\n

Ancak ara\u015ft\u0131rmac\u0131lar temkinli. Namoradze\u2019nin yorumlar\u0131n\u0131n \u00f6nemli bir k\u0131sm\u0131 hen\u00fcz varsay\u0131m d\u00fczeyinde. Yine de bu varsay\u0131mlar, bilim insanlar\u0131 a\u00e7\u0131s\u0131ndan de\u011ferli ipu\u00e7lar\u0131 ta\u015f\u0131yor. Theodore Zanto, resitalin ard\u0131ndan bunu \u015f\u00f6yle ifade etti:<\/p>\n\n\n\n

\u201cBizim i\u00e7in kelimenin tam anlam\u0131yla hipotez \u00fcretiyor.\u201d<\/p>\n\n\n\n

Andrea Protzner ise Scriabin b\u00f6l\u00fcm\u00fcne ili\u015fkin daha dikkatli bir yorum yapt\u0131:<\/p>\n\n\n\n

\u201c\u0130\u00e7inde sinestezi oldu\u011funu d\u00fc\u015f\u00fcn\u00fcyor muyum? Hay\u0131r. Ama onun i\u00e7in di\u011fer par\u00e7alardan daha fazla renklerle ili\u015fkili miydi? Kesinlikle.\u201d<\/p>\n\n\n\n

Laboratuvara S\u0131\u011fmayan Sanat: \u0130nsan \u0130fadesinin \u0130hti\u015fam\u0131<\/h2>\n\n\n\n

Bu t\u00fcr \u00e7al\u0131\u015fmalar, m\u00fczik performans\u0131n\u0131 laboratuvar ko\u015fullar\u0131na s\u0131k\u0131\u015ft\u0131rma sorununu da yeniden g\u00fcndeme getiriyor. Bilimsel kontrol i\u00e7in \u00e7o\u011fu deney, piyanistleri plastik klavyelerde k\u0131sa pasajlar \u00e7almaya ya da denekleri birka\u00e7 saniyelik ritimlere indirgemeye mecbur b\u0131rak\u0131yor.<\/p>\n\n\n\n

Rice \u00dcniversitesi\u2019nde ders veren besteci Anthony Brandt, Houston \u00dcniversitesi\u2019nden n\u00f6robilimci Jos\u00e9 Luis Contreras-Vidal ile birlikte benzer bir sahne ara\u015ft\u0131rmas\u0131 y\u00fcr\u00fctm\u00fc\u015ft\u00fc. Bir piyanist ve bir orkestra \u015fefi konser s\u0131ras\u0131nda beyin sens\u00f6rleriyle izlenmi\u015f, sonu\u00e7lar iki m\u00fczisyenin beyinleri aras\u0131nda hem e\u015fzamanl\u0131l\u0131k hem de rol farklar\u0131ndan kaynaklanan ayr\u0131\u015fmalar oldu\u011funu g\u00f6stermi\u015fti.<\/p>\n\n\n\n

Brandt, bu t\u00fcr deneylerin kontrol edilmesinin zor oldu\u011funu kabul ediyor. Ancak ona g\u00f6re alternatif y\u00f6ntemler, ger\u00e7ek m\u00fczik icras\u0131n\u0131n yaln\u0131zca zay\u0131f bir yans\u0131mas\u0131n\u0131 veriyor:<\/p>\n\n\n\n

\u201cBilim insanlar\u0131 m\u00fczi\u011fin iyi huylu olmas\u0131n\u0131 istiyor ama m\u00fczik bunun i\u00e7in tasarlanmad\u0131. M\u00fczik, insan ifadesinin t\u00fcm ihti\u015fam\u0131n\u0131 temsil etmek i\u00e7indir.\u201d<\/p>\n\n\n\n

Zihinden Kalbe Uzanan Yeni Hedef: “Cam Beden”<\/h2>\n\n\n\n

Ara\u015ft\u0131rmac\u0131lar \u015fimdi Namoradze\u2019nin verilerini inceleyip yay\u0131mlanabilir bilimsel sonu\u00e7lara d\u00f6n\u00fc\u015ft\u00fcrmeye haz\u0131rlan\u0131yor. Ancak \u00e7al\u0131\u015fman\u0131n s\u0131n\u0131rlar\u0131 da var. Ayn\u0131 repertuvar\u0131 \u00e7alan ba\u015fka piyanistlerle kar\u015f\u0131la\u015ft\u0131rmal\u0131 ara\u015ft\u0131rmalar yap\u0131lmas\u0131, hatta ayn\u0131 anda hem icrac\u0131n\u0131n hem dinleyicinin beyninin \u00f6l\u00e7\u00fclmesi gerekiyor.<\/p>\n\n\n\n

Ayr\u0131ca Steinway Spirio y\u00f6ntemi her piyanist i\u00e7in uygulanabilir olmayabilir. Amat\u00f6rlerin bu d\u00fczeyde kesinlik yakalamas\u0131 zor. Bir\u00e7ok konser piyanisti de EEG \u00e7al\u0131\u015fmalar\u0131na uygun olmayacak kadar fazla beden hareketiyle \u00e7al\u0131yor. \u00c7\u00fcnk\u00fc en k\u00fc\u00e7\u00fck ba\u015f hareketi bile verileri bozabiliyor.<\/p>\n\n\n\n

Andrea Protzner, Namoradze\u2019nin laboratuvardaki performans\u0131n\u0131 \u015fu s\u00f6zlerle anlatt\u0131:<\/p>\n\n\n\n

\u201cHerkes onun \u00e7alarken bu kadar hareketsiz kalmas\u0131na \u015fa\u015f\u0131rd\u0131.\u201d<\/p>\n\n\n\n

Namoradze ise \u015fimdiden bir sonraki a\u015famaya bak\u0131yor. Neuroscape ekibi, yaln\u0131zca beyni de\u011fil; kalp at\u0131\u015f\u0131, deri iletkenli\u011fi, sindirim ve ba\u015fka fizyolojik parametreleri de kapsayan bir \u201ccam beden\u201d modeli \u00fczerinde d\u00fc\u015f\u00fcn\u00fcyor. Ama\u00e7, bir insan\u0131n belirli bir zaman dilimi i\u00e7indeki i\u00e7sel hareketlili\u011fini \u00e7ok katmanl\u0131 bi\u00e7imde g\u00f6sterebilmek.<\/p>\n\n\n\n

Theodore Zanto\u2019ya g\u00f6re bu \u00f6l\u00e7ekte bir veri setini analiz etmek hala biraz hayal alan\u0131na giriyor. Ancak teknoloji haz\u0131r oldu\u011funda Namoradze laboratuvara d\u00f6nmeye istekli. Piyanistin hedefi, m\u00fczikal niyetin beyinden ellere ve ayaklara nas\u0131l akt\u0131\u011f\u0131n\u0131; yani m\u00fczi\u011fi ba\u015flatan o g\u00f6r\u00fcnmez konu\u015fmay\u0131 g\u00f6r\u00fcn\u00fcr k\u0131lmak.<\/p>\n\n\n\n

10.05.2026,20.43<\/p>\n\n\n\n

Kaynak:https:\/\/www.odatv.com\/dunya\/piyanist-nicolas-namoradzenin-beyin-aktiviteleri-piyano-calarken-goruntulendi-120146480<\/a><\/p>\n\n\n\n

Edit\u00f6r\u00fcn Notu: Oda TV Gazetesi\u2019nde yay\u0131mlanan bu haber, \u00f6z\u00fcne sad\u0131k kal\u0131narak yeniden d\u00fczenlenmi\u015ftir.

<\/p>\n","protected":false},"excerpt":{"rendered":"

“ABD’nin California eyaletinde ger\u00e7ekle\u015ftirilen e\u015fsiz bir deney, n\u00f6robilim ve klasik m\u00fczi\u011fi ayn\u0131 sahnede bulu\u015fturdu. \u00dcnl\u00fc piyanist Nicolas Namoradze’nin performans\u0131 s\u0131ras\u0131nda kaydedilen beyin aktiviteleri e\u015fzamanl\u0131 olarak dev ekrana yans\u0131t\u0131larak, bir virt\u00fc\u00f6z\u00fcn enstr\u00fcman \u00e7alarken zihninde ya\u015fanan elektriksel s\u00fcre\u00e7ler t\u0131p tarihinde ilk kez bu denli net bir \u015fekilde g\u00f6r\u00fcn\u00fcr k\u0131l\u0131nd\u0131.”<\/p>\n","protected":false},"author":3,"featured_media":8679,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"_jetpack_memberships_contains_paid_content":false,"footnotes":""},"categories":[3],"tags":[2585],"class_list":["post-8678","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-dunya","tag-dunyagundemi-norobilim-bilimvesanat-beyinarastirmalari-nicolasnamoradze-dishaberler-klasikmuzik"],"jetpack_featured_media_url":"https:\/\/dbsnewsmedia.com\/wp-content\/uploads\/2026\/05\/piyanist-nicolas-namoradzenin-beyin-aktiviteleri-piyano-calarken-goruntulendi-jw4j.jpg.webp","jetpack_sharing_enabled":true,"_links":{"self":[{"href":"https:\/\/dbsnewsmedia.com\/index.php?rest_route=\/wp\/v2\/posts\/8678","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/dbsnewsmedia.com\/index.php?rest_route=\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/dbsnewsmedia.com\/index.php?rest_route=\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/dbsnewsmedia.com\/index.php?rest_route=\/wp\/v2\/users\/3"}],"replies":[{"embeddable":true,"href":"https:\/\/dbsnewsmedia.com\/index.php?rest_route=%2Fwp%2Fv2%2Fcomments&post=8678"}],"version-history":[{"count":1,"href":"https:\/\/dbsnewsmedia.com\/index.php?rest_route=\/wp\/v2\/posts\/8678\/revisions"}],"predecessor-version":[{"id":8680,"href":"https:\/\/dbsnewsmedia.com\/index.php?rest_route=\/wp\/v2\/posts\/8678\/revisions\/8680"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/dbsnewsmedia.com\/index.php?rest_route=\/wp\/v2\/media\/8679"}],"wp:attachment":[{"href":"https:\/\/dbsnewsmedia.com\/index.php?rest_route=%2Fwp%2Fv2%2Fmedia&parent=8678"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/dbsnewsmedia.com\/index.php?rest_route=%2Fwp%2Fv2%2Fcategories&post=8678"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/dbsnewsmedia.com\/index.php?rest_route=%2Fwp%2Fv2%2Ftags&post=8678"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}